Cinema illuminating reality : media philosophy through Buddhism
著者
書誌事項
Cinema illuminating reality : media philosophy through Buddhism
University of Minnesota Press, c2022
- : hc
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注記
Notes: p. 277-318
Filmography: p. 319-320
Includes index
内容説明・目次
内容説明
A new critical approach to cinema and media based on Buddhism as a philosophical discourse
How can a philosophical discourse generated in Asia help us reframe and renew cinema and media theory? Cinema Illuminating Reality provides a possible way to do this by using Buddhist ideas to examine the intricate relationship between technicity and consciousness in the cinema. The resulting dialogue between Buddhism and Euro-American philosophy is the first of its kind in film and media studies.
Victor Fan examines cinema's ontology and ontogenetic formation and how such a formational process produces knowledge, political agency, and in-aesthetics. Buddhism allows Fan to deconstruct binary thinking and reimagine media as an ecology, rethinking cinema in relational terms between the human and the machine. Along the way, Fan considers a wide variety of case studies from around the globe, while paying special attention to how contemporary Tibeto-Sinophone filmmakers have adopted relational thinking to detail ways of rebuilding a world that appears to be beyond repair.
From Chinese queer cinema to a reexamination of Japanese master Ozu's work and its historical reception to Christian Petzold's 2018 existential thriller Transit, CinemaIlluminating Reality forges a remarkable path between Buddhist studies and cinema studies, casting vital new light on both of these important subjects.
目次
Dependent Originations
Note on Languages
Introduction: Cinema: A Technicity-Consciousness
1. Meontology
2. The Karma-Image
3. The Insight-Image
4. Cinema Ecology
5. In-Aesthetics
Conclusion: Cinema and Nonviolence
Multilingual Glossary of Buddhist Terms, Names, and Titles
Notes
Filmography
Index
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