The dark precursor in sound and writing

Author(s)

• Assis, Paulo de
• Giudici, Paolo

Bibliographic Information

The dark precursor in sound and writing

（Orpheus institute series, . { The dark precursor : Deleuze and artistic research / edited by Paulo de Assis and Paolo Giudici } ; v. 1）

Leuven University Press, c2017

Note

ISBN for set: 9789462701182

Includes bibliographical references and indexes

Description and Table of Contents

Description

More volumes on 'Deleuze and Artistic Research': Machinic Assemblages of Desire Aberrant Nuptials Deleuze’s and Guattari’s philosophy in the field of artistic researchGilles Deleuze’s intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze’s subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze’s concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship. The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and artistic practices, exposing for the first time the diversity and richness of a world situated between artistic research and the philosophy of Gilles Deleuze and Félix Guattari. Within different understandings of artistic research, the authors—composers, architects, performers, philosophers, sculptors, film-makers, painters, writers, and activists—map practices and invent concepts, contributing to a creative expansion of horizons, materials, and methodologies. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors VOLUME 1: Paulo de Assis, Arno Böhler, Edward Campbell, Diego Castro-Magas, Pascale Criton, Zornitsa Dimitrova, Lois Fitch, Mike Fletcher, Paolo Galli, Lindsay Gianoukas, Keir GoGwilt, Oleg Lebedev, Jimmie LeBlanc, Nicolas Marty, Frédéric Mathevet, Vincent Meelberg, Catarina Pombo Nabais, Tero Nauha, Gabriel Paiuk, Martin Scherzinger, Einar Torfi Einarsson, Steve Tromans, Toshiya Ueno, Susanne Valerie, Audronė Žukauskaitė VOLUME 2: Éric Alliez, Manola Antonioli, Jūratė Baranova, Zsuzsa Baross, Anna Barseghian, Ian Buchanan, Elena del Río, Luis de Miranda, Lucia D’Errico, Lilija Duoblienė, Adreis Echzehn, Jae Emerling, Verina Gfader, Ronny Hardliz, Rahma Khazam, Stefan Kristensen, Erin Manning, John Miers, Elfie Miklautz, Marc Ngui, Andreia Oliveira, Federica Pallaver, Andrej Radman, Felix Rebolledo, Anne Sauvagnargues, Janae Sholtz, Mhairi Vari, Mick Wilson, Elisabet Yanagisawa

Table of Contents

Volume I: The Dark Precursor in Sound and Writing Preface Paulo de AssisPart 1 Sound The Obscure Precursor, French Modernism, and the Musics of the World Edward Campbell The Executing Machine: Deleuze, Boulez, and the Politics of Desire Martin Scherzinger Deleuze’s Fold in the Performing Practice of Aaron Cassidy’s The Pleats of Matter Diego Castro-Magas Variables, Diagrams, Process Pascale Criton Performing Music, Performing the Figure: Deleuze and Painting Lois Fitch Machining the Voice through the Continuous Variation Paolo Galli Templates for Technique in Mantel and Lachenmann: Between Transcendence and Immanence Keir GoGwilt Towards a Figural Paradigm in Music: Capture of Forces and Logic of Sensation in Géométries de l’abîme (LeBlanc), In Vivo (Cendo), and The Restoration of Objects (McCormack) Jimmie LeBlanc L ’image-temps: Conceptual Foundations of My Compositional Approach Nicolas Marty Circumstantial Scores, Graphic Scores, Extended Scores: The Work as “Ecopraxic” Rediagrammatisation Frédéric Mathevet Perform Now! The Ethics of Musical Improvisation Vincent Meelberg Thinking Sound through the Notion of the Time-Image: Deleuze’s Cinema Studies as a Model for Problematising Sound in Artistic Practice Gabriel Paiuk Re-Notations: Flattening Hierarchies and Transforming Functions Einar Torfi Einarsson Alone/Together: Simulacral “A-presentation” in and into Practice-as-Research in Jazz Steve Tromans and Mike Fletcher A Journey of Refrains, Vibes, and Ambiences: Félix Guattari in Terms of the Techno Party Scene Toshiya Ueno, aka Toshiya the TribalPart 2 Writing and Staging Corpus Delicti #2 // Untimely Precursors Lecture Performance* Arno Böhler and Susanne Valerie Deleuze’s Expressionism as an Ontology for Theatre Zornitsa Dimitrova Space and Sensation: Zoé Degani’s Art of Pluralising Signs Onstage Lindsay Gianoukas Journey into the Unknown: Romeo Castellucci’s Theatre of Signs Oleg Lebedev From Schizoproduction to Non-standard Artistic Research Tero Nauha Deleuze and Perversion Catarina Pombo Nabais Deleuze, Simondon, and Beckett: From Being to Becoming Audronė ŽukauskaitėVolume II: The Dark Precursor in Image, Space, and PoliticsPart 1 Image On Contemporary Art and Philosophy: Towards a Diagrammatic Critique of Aesthetics Éric Alliez Deleuze and Guattari’s Digital Art Machines Anne Sauvagnargues Heterogeneity of Word and Image: What is the Possible Dark Precursor? Jūratė Baranova Godard and/with Deleuze: “C’est comme ça que le monde naît” Zsuzsa Baross No Voice is Lostor or, The Dead as a Witness Anna Barseghian and Stefan Kristensen )( Z )( Lucia D’Errico Digital Folds, or Cinema’s Automated Brain Elena Del Río Beyond Artist and Artisan: Performing Unformed Sound in the Art Machine Lilija Duoblienė Hollywood Flatlands: Taking a Line for a Walk Verina Gfader Bacon and the Cartoonist: The Emergence of the Figure through Two Opposing Diagrams John Miers al niente—a dissolution: Thinking in Images and Sounds Adreis Echzehn and Elfie Miklautz Drawings from A Thousand Plateaus Marc Ngui The Image as a Process of Invention within Artistic Research Andreia Oliveira and Felix Rebolledo Matter-flow: Studies of Minor Composition Federica Pallaver perpetual doubt, constant becoming Mhairi Vari The Fold: A Physical Model of Abstract Reversibility and Envelopment Elisabet YanagisawaPart 2 Space Urban War Machines Manola Antonioli Transmissibility: A Mode of Artistic Re-search Jae Emerling Architecture and Indifference Ronny Hardliz Zigzagging: Bound by the Absence of a Tie Andrej RadmanPart 3 Politics The Fear of Boredom Ian Buchanan Art, Knowledge, and the In-between Rahma Khazam In the Act: The Shape of Precarity Erin Manning On the Concept of Creal: The Politico-Ethical Horizon of a Creative Absolute Luis de Miranda Affects of Indeterminacy and Silence as Aleatory Intervals between Art and Philosophy: A Deleuzian Reading Janae Sholtz Something Along the Lines of . . . Mick Wilson Notes on Contributors Index of Names Index of Subjects

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Details

• NCID: BC12846604
• ISBN:
  • 9789462701182
• LCCN: 2017453689
• Country Code: be
• Title Language Code: eng
• Text Language Code: eng
• Place of Publication: Leuven
• Pages/Volumes: 278 p.
• Size: 29 cm
• Classification:
  • LCC : B2430.D454
• Subject Headings:
  • LCSH : Deleuze, Gilles, 1925-1995 -- Congresses
  • LCSH : Arts -- Philosophy -- Congresses
  • LCSH : Arts -- Research -- Congresses
• Parent Bibliography ID:
  • BC04052434