Film music in 'minor' national cinemas
著者
書誌事項
Film music in 'minor' national cinemas
(Topics and issues in national cinema, v. 4)
Bloomsbury Academic, 2017
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First published 2016. Paperback edition first published 2017"--T.p. verso
Includes bibliographical references and index
内容説明・目次
内容説明
Taking its cue from Deleuze's definition of minor cinema as one which engages in a creative act of becoming, this collection explores the multifarious ways that music has been used in the cinemas of various countries in Australasia, Africa, Latin America and even in Europe that have hitherto received little attention. The authors consider such film music with a focus on the role it has played creating, problematizing, and sometimes contesting, the nation.
Film Music in 'Minor' National Cinemas addresses the relationships between film music and the national cinemas beyond Hollywood and the European countries that comprise most of the literature in the field. Broad in scope, it includes chapters that analyze the contribution of specific composers and songwriters to their national cinemas, and the way music works in films dealing with national narratives or issues; the role of music in the shaping of national stars and specific use of genres; audience reception of films on national music traditions; and the use of music in emerging digital video industries.
目次
Chapter 1: Introduction: Film, Music & National Cinemas: Asia, Africa and Latin America
German Gil-Curiel, Sino-British College, Shanghai, China
Chapter 2: New Zealand Cinema, National Identity and Don McGlashan
Henry Johnson, University of Otago, New Zealand
Chapter 3: Chinese Identity and Total Art: Tan Dun's Aesthetics of Visual Music
German Gil-Curiel, Sino-British College, Shanghai, China
Chapter 4: The China Melody: Musical Invention of Borderless Fantasy on Japan's Imperial Screen
Chikako Nagayama, McMaster University, Canada
Chapter 5: Collective Nostalgia and Anxiety in Korean Film Music: Im Kwont'aek's Use of P'ansori in Sop'yonje
Jooyeon Rhee, Wittenberg University, USA
Chapter 6: 'Sobre las Olas', the Waltz and the Films: Classical Music and Mexican Identity
Armida de la Garza, Xian-Jiaotong Liverpool University, China
Chapter 7: Black Orpheus (1959) and Brazilian Identity
Hans Hess, University of Bristol, UK
Chapter 8: 'Yo soy un hombre sincero': Music and Nation-building in Cuban Cinema
Nicholas Balaisis, Concordia University, Canada
Chapter 9: 'Minor' Sounds in Flight: Musical Journeys as Collective Oral Histories and Archival Sights and Sounds in the Films of Bahman Ghobadi
Rowena Santos Aquino, California State University, Long Beach, USA
Chapter 10: High and Low: Popular Music in Portuguese Film
Carolin Overhoff Ferreira, Federal University of Sao Paulo, Brazil
Chapter 11: Between the Ceremonial and the Musical: Music and African Identity in the Films of Flora Gomes
Carolin Overhoff Ferreira, Federal University of Sao Paulo, Brazil
Chapter 12: Between the Text and the Subtext: A Reading of Selected Benin Musical Video-Films from Nigeria
Osakue S. Omoera, University of Ibadan, Nigeria, and Charles O. Aluede, Obafemi Awolowo University, Nigeria
Notes on Contributors
Glossary
Index
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