Film music in 'minor' national cinemas
Author(s)
Bibliographic Information
Film music in 'minor' national cinemas
(Topics and issues in national cinema, v. 4)
Bloomsbury Academic, 2017
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"First published 2016. Paperback edition first published 2017"--T.p. verso
Includes bibliographical references and index
Description and Table of Contents
Description
Taking its cue from Deleuze's definition of minor cinema as one which engages in a creative act of becoming, this collection explores the multifarious ways that music has been used in the cinemas of various countries in Australasia, Africa, Latin America and even in Europe that have hitherto received little attention. The authors consider such film music with a focus on the role it has played creating, problematizing, and sometimes contesting, the nation.
Film Music in 'Minor' National Cinemas addresses the relationships between film music and the national cinemas beyond Hollywood and the European countries that comprise most of the literature in the field. Broad in scope, it includes chapters that analyze the contribution of specific composers and songwriters to their national cinemas, and the way music works in films dealing with national narratives or issues; the role of music in the shaping of national stars and specific use of genres; audience reception of films on national music traditions; and the use of music in emerging digital video industries.
Table of Contents
Chapter 1: Introduction: Film, Music & National Cinemas: Asia, Africa and Latin America
German Gil-Curiel, Sino-British College, Shanghai, China
Chapter 2: New Zealand Cinema, National Identity and Don McGlashan
Henry Johnson, University of Otago, New Zealand
Chapter 3: Chinese Identity and Total Art: Tan Dun's Aesthetics of Visual Music
German Gil-Curiel, Sino-British College, Shanghai, China
Chapter 4: The China Melody: Musical Invention of Borderless Fantasy on Japan's Imperial Screen
Chikako Nagayama, McMaster University, Canada
Chapter 5: Collective Nostalgia and Anxiety in Korean Film Music: Im Kwont'aek's Use of P'ansori in Sop'yonje
Jooyeon Rhee, Wittenberg University, USA
Chapter 6: 'Sobre las Olas', the Waltz and the Films: Classical Music and Mexican Identity
Armida de la Garza, Xian-Jiaotong Liverpool University, China
Chapter 7: Black Orpheus (1959) and Brazilian Identity
Hans Hess, University of Bristol, UK
Chapter 8: 'Yo soy un hombre sincero': Music and Nation-building in Cuban Cinema
Nicholas Balaisis, Concordia University, Canada
Chapter 9: 'Minor' Sounds in Flight: Musical Journeys as Collective Oral Histories and Archival Sights and Sounds in the Films of Bahman Ghobadi
Rowena Santos Aquino, California State University, Long Beach, USA
Chapter 10: High and Low: Popular Music in Portuguese Film
Carolin Overhoff Ferreira, Federal University of Sao Paulo, Brazil
Chapter 11: Between the Ceremonial and the Musical: Music and African Identity in the Films of Flora Gomes
Carolin Overhoff Ferreira, Federal University of Sao Paulo, Brazil
Chapter 12: Between the Text and the Subtext: A Reading of Selected Benin Musical Video-Films from Nigeria
Osakue S. Omoera, University of Ibadan, Nigeria, and Charles O. Aluede, Obafemi Awolowo University, Nigeria
Notes on Contributors
Glossary
Index
by "Nielsen BookData"