The Oxford handbook of Emily Dickinson

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The Oxford handbook of Emily Dickinson

edited by Cristanne Miller, Karen Sánchez-Eppler

Oxford University Press, 2022

  • : hbk

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Includes indexes

内容説明・目次

内容説明

The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also establishes potential agendas for future work in the field of Dickinson studies. This is the first collection on Dickinson to foreground the material and social culture of her time while opening new windows to interpretive possibility in ours. The volume strives to balance Dickinson's own center of gravity in the material culture and historical context of nineteenth-century Amherst with the significance of important critical conversations of our present, thus understanding her poetry with the broadest "Latitude of Home"-as she puts it in her poem "Forever-is composed of Nows." Debates about the lyric, about Dickinson's manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume. These debates matter to our moment but also to our understanding of hers. Although rooted in the evolving history of Dickinson criticism, the chapters foreground truly new original research and a wide range of innovative critical methodologies, including artistic responses to her poetry by musicians, visual artists, and other poets. The suppleness and daring of Dickinson's thought and uses of language remain open to new possibilities and meanings, even while they are grounded in contexts from over 150 years ago, and this collection expresses and celebrates the breadth of her accomplishments and relevance.

目次

Cristanne Miller and Karen Sanchez-Eppler: Introduction: A Poetry "Composed of Nows": Dickinson's Historical Context and Contemporary Relevance PART I. "Do they know that this is Amherst": Dickinson in Place 1: Lisa Brooks: Whose Native Place?: The Dickinsons and the Colonization of the Connecticut River Valley 2: Jane Donahue Eberwein: "Where congregations ne'er break up": Dickinsons and Amherst's First Church 3: Claire Nashar: "The pedigree of Honey": Class, Colony, and Politics in Amherst's "Bee Hive" and Dickinson's Bee Poems 4: Lori Merish: "Seam by Seam": Dickinson's Literary Labors 5: Jane H. Wald: A Short Biography of the Homestead and The Evergreens 6: Karen Sanchez-Eppler: "Except the smaller size": Aunt Emily's Poetry 7: Polly Longworth: The Death of Little Gib 8: Nan Wolverton: "The Wanderers came last Night": Dickinson and the Material Culture of Indigenous Basket Sellers Part II. "Essential Oils": Dickinson's Poetics and Compositional Practices 9: Ryan Cull: "Dragons--in the Crease--": Dickinson's Dangerous Lyricism 10: Kathryn R. Kent: Dickinson's Spinster Poetics 11: Paul Crumbley: The Letter Not Sent: Dickinson's Fascicles and the Poet's Place in the World 12: Judith Scholes: "My Business is to Love": Address and Affect in Dickinson's Circulated Poems 13: Cristanne Miller: Writing for Posterity: Editing, Evidence, and Sequence in Dickinson's Composition and Circulation of Poems 14: Marta L. Werner: The Material and Editorial Condition of Dickinson's "Master" Documents 15: Branka Arsic: Butterfly Tropics: Dickinson, the Archive, and Ethereal Poetics 16: Rae Armantrout: Dickinson's Influence on Recent American Poetry Part III. "You'll find the Music": Dickinson's Media Contexts 17: Mary Loeffelholz: "Yellow Noise": Information and Form in Dickinson's Intermedial Writing 18: Marianne Noble: "Say it Again! Saxon!": The Erotic Intimate Space of Reading 19: Maurice S. Lee: Dickinson Uncut: Reading and Not Reading in Print Culture 20: Paraic Finnerty: "On the wall of her own room hung framed portraits of Mrs. Browning, George Eliot and Carlyle": Dickinson's Heroes and Hero-Worship 21: Brigitte Fielder: Dickinson's Black Contexts 22: Michael C. Cohen: Learning to Write with Emily Dickinson: Poetry, Pedagogy, and Nineteenth-Century Girlhood 23: Midori Asahina, Nobuko Shimomura, and Masako Takeda: Looking Back on the Reception History of Dickinson in Japan 24: Gerard Holmes: "Discretion in the interval": Musical Improvisation and Dickinson's Manuscript Variations 25: Antoine Caze: Dickinson Composed PART IV. "Such are the inlets of the mind--": Ways of Knowing and the World 26: Shira Wolosky: Linguistic Turns: Emersonian Figuralism and Dickinson's Biblical Contests 27: Benjamin Friedlander: Glory, Honor, Might, Majesty, Dominion, and Power: Reading Dickinson through Wilfred Owen 28: Jennifer Leader: "The Finite--furnished / With the Infinite--": Dickinson's Biblical Imaginations 29: Adalberto Muller: Imaginary Geography: Dickinson Latina 30: Christine Gerhardt: Dickinson's Garden Ecologies 31: Michelle Kohler: "You felt your Second": Dickinson and Nineteenth-Century Timekeeping 32: Renee Bergland: Dickinson Emergent: Natural Philosophy and the Postdisciplinary Manifold 33: Lesley Dill: "How ruthless are the gentle": The Art of Emily Dickinson and Lesley Dill PART V. Coda 34: Jed Deppman: Living and Dying with Emily Dickinson

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