W. Eugene Smith : the camera as conscience
Author(s)
Bibliographic Information
W. Eugene Smith : the camera as conscience
Thames & Hudson, 1998
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 350-351)
Description and Table of Contents
Description
This is a complete monograph on the work of W. Eugene Smith, one of the heroes of American photojournalism. Beginning in the 1930s working for "Newsweek" and other magazines, he created subjective photo essays of lasting impact. Drawing from Smith's own archives and including illuminating texts from historians and critics, this comprehensive volume features duotone reproductions of both famous and never-before-published images. Smith's "Life" magazine photoessays are represented by images created in the 1940s and 1950s for, among others, the landmark "Country Doctor" and "Spanish Village". Among his later independent works are the ambitious series on Pittsburgh and Haiti from the late 1950s, the poetic series of New York pictures taken from Smith's window loft, and excerpts from his unpublished photographic autobiography, "The Walk to Paradise Garden". His last project was the disturbing 1970s "Minamata", on the consequences of industrial pollution in Japan.
by "Nielsen BookData"