Comics and the origins of manga : a revisionist history
著者
書誌事項
Comics and the origins of manga : a revisionist history
Rutgers University Press, c2022
1st ed
- : pbk
- : hardcover
並立書誌 全1件
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 235-241) and index
内容説明・目次
内容説明
2022 Eisner Award Winner for Best Academic/Scholarly Work
Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan's avid importation of Western technology and popular culture in the early twentieth century.
Comics and the Origins of Manga reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
目次
Acknowledgments
A Note on Images
Foreword
Introduction
Prologue: The Historical Origins and Changing Meaning of "Manga" up to 1923
Chapter One: "Popular in Society at Large:" the First Talking Manga
Chapter Two: "Listen Vunce!" The Audiovisual Revolution in Graphic Narrative
Chapter Three: When Krazy Kat Spoke Japanese: Japan's Massive Importation of Foreign Audiovisual Comics
Chapter Four: From Aso Yutaka to Tezuka Osamu: How Manga Made in Japan Adopted the Form of Audiovisual Comics
Epilogue: The Myth of Manga as a "Traditional Mode of Expression"
Brief Chronology
List of Foreign Comics in Japan 1908-1945
List of Illustrations
Bibliography
Index
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