The garden at Orgeval
著者
書誌事項
The garden at Orgeval
Aperture , Available in North America through Artbook/D.A.P., c2012
1st ed
- タイトル別名
-
Paul Strand : the garden at Orgeval
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
T&HFL12 After a lifetime of working on a series of “collective portraits” in far-flung places such as Mexico; Ghana; Italy; Tir a’Mhurain, Scotland; and his adoptive country, France, an aging Paul Strand decided to concentrate on still lifes and the stony beauty of his own garden at Orgeval, France, as a site in which to distill his discoveries as a photographer. The work that constitutes The Garden at Orgeval is marked by close and careful study of the forms and patterns within nature—of tiny buttonshaped flowers, cascading winter branches, and fierce snarls of twigs. While the images bear the same directness and precise vision that is quintessentially Strand, the work also reflects a growing metaphorical turn. Renowned photographer Joel Meyerowitz—whose own affinity toward Strand’s Orgeval series stems from a lifetime of photographing in different genres and ultimately returning to nature as an enduring subject—will select the photographs in the book, and respond to them in an accompanying personal essay, reflecting on issues, including the contemplation of one’s garden and growing old. Beautifully produced in a modest size, in the manner of a volume of poems, this book’s task is to do credit to Strand’s final work, both as an individual and as a key figure in Modernist photography.
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