The new Beethoven : evolution, analysis, interpretation
著者
書誌事項
The new Beethoven : evolution, analysis, interpretation
(Eastman studies in music)
University of Rochester Press, 2020
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
"Index of works by Beethoven": p. [533]-537
内容説明・目次
内容説明
Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.
Beethoven's music stands as a universal symbol of personal and artistic achievement. As we reach and then surpass the 250th anniversary of the composer's birth, Jeremy Yudkin has commissioned a collection of new essays from some of the most insightful writers on Beethoven's accomplishments and brought them together in this remarkable volume. Filled with careful explanations, this book gives us completely new insights into music known and loved by people around the world.
Ordinary music lovers as well as scholars will find countless new discoveries about Beethoven and his music. Listeners will hear his compositions afresh, and scholars will find new results of research and analysis and new avenues for discovery. Topics include Beethoven's cultural milieu, his personal life, his friends, his publishers, his instruments, his working methods, his own handwritten scores, and, of course, his music. Many works are carefully discussed and explained in ways that reveal fascinating and previously unknown aspects of compositions that we thought we knew well. A landmark publication for all who admire some of the greatest music of our civilization.
目次
Preface - Jeremy Yudkin
Introduction - Jeremy Yudkin
PART ONE: A Creative Life
Of Deserters and Orphans: Beethoven's Early Exposure to the Operas-comiques of Monsigny - Steven Moore Whiting
"A really excellent and capable man": Beethoven and Johann Traeg - David Wyn Jones
A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven's Circle of Friends in Bonn, and a Corrected Edition of the Song Ruf vom Berge, WoO 147 - Michael Ladenburger
"Where Thought Touches the Blood": Rhythmic Disturbance as Physical Realism in Beethoven's Creative Process - Bruce Adolphe
The Sanctification of Beethoven in 1828 - Christopher Reynolds
PART TWO: Prometheus/"Eroica"
The Prometheus Theme and Beethoven's Shift from Avoidance to Embrace of Possibilities - Alan Gosman
Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity - William Kinderman
'Mit Verstarkung des Orchesters': The Orchestra Personnel at the First Public Performance of Beethoven's Eroica - Theodore Albrecht
PART THREE: Masses
"Aber lieber Beethoven, was haben Sie denn wieder da gemacht?": Observations on the Performing Parts for the Premiere of Beethoven's Mass in C, Op. 86? - Jeremiah McGrann
Heart to Heart: Beethoven, Archduke Rudolph, and the Missa Solemnis - Mark Evan Bonds
God and the Voice of Beethoven - Scott Burnham
PART FOUR: Quartets
'So Here I Am, in the Middle Way': The Autograph of the "Harp" Quartet and the Expressive Domain of Beethoven's Second Maturity - M. Lucy Turner
Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127 - Nicholas Kitchen
The Autograph Score of the Slow Movement of Beethoven's Last Quartet, Op. 135 - Barry Cooper
Early German-Language Reviews of Beethoven's Late String Quartets - Robin Wallace
PART FIVE: Explorations
Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas - Erica Buurman
Utopia and Dystopia Revisited: Contrasted Domains in Beethoven's Middle-Period F-Major and F-minor Works - Barbara Barry
Schooling the Quintjager - David Levy
Cue-Staff Annotations in Beethoven's Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Op. 101 - Federica Rovelli
'Another Little Buck out of Its Stable' - Richard Kramer
Beethoven's Cavatina, Haydn's Seasons, and the Thickness of Inscription - Elaine Sisman
「Nielsen BookData」 より