Border cinema : reimagining identity through aesthetics
著者
書誌事項
Border cinema : reimagining identity through aesthetics
（Global media and race）
Rutgers University Press, c2019
- : softcover
大学図書館所蔵 全1件
注記
Includes bibliographical references (p. 219-229), filmography and index
収録内容
- Introduction: "Moving images: cinematic contestations of global borders in the digital age" / by Monica Hanna and Rebecca A. Sheehan
- "Composite aesthetics as cultural cartographies of Europe-in-transition" / Marina Hassapopoulou
- "Undocumation: documentary animation's unsettled borders" / Rebecca A. Sheehan
- "The art of witness in Lourdes Portillo's Señorita Extraviada (2001)" / Rosa-Linda Fregoso
- "The cinematic borderlands of Alejandro González Iñárritu's Babel" / Monica Hanna
- "Challenging European borders: Goran Paskaljevic's Honeymoons" / Anita Pinzi
- "Remapping the borderlands in "Quién diablos es Juliette"" / Elena Lahr-Vivaz
- "Crossing through el Hueco: the visual politics of smuggling in Colombian migration films" / Jennifer Harford Vargas
- "Toward a transfrontera-Latinx aesthetics: an interview with filmmaker and artist Alex Rivera" / Frederick Luis Aldama
- "No-man's land: shifting Borders and alternating identities in contemporary Israeli cinema" / Anat Zanger and Nurith Gertz
- "The borders we cross in search of a better world: on border crossing in three of Amos Gitai's feature films" / Yael Munk
- "Filipinos at the border: migrant workers in transnational Philippine cinema" / José B. Capino
内容説明・目次
内容説明
The rise of digital media and globalization's intensification since the 1990s have significantly refigured global cinema's form and content. The coincidence of digitalization and globalization has produced what this book helps to define and describe as a flourishing border cinema whose aesthetics reflect, construct, intervene in, denature, and reconfigure geopolitical borders. This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those promulgated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization.
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