Thinking a modern landscape architecture West & East : Christopher Tunnard, Sutemi Horiguchi
著者
書誌事項
Thinking a modern landscape architecture West & East : Christopher Tunnard, Sutemi Horiguchi
ORO Editions, c2020
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 229-236) and index
内容説明・目次
内容説明
The complex story of modern landscape architecture remains to be written, as does its precise definition. Thinking a Modern Landscape Architecture, West & East,
written by one of the field's most prolific and insightful authors,
provides a rare cross-cultural study that examines the written and
design contributions made by two of the movement's most influential
early protagonists: Christopher Tunnard (1910-1979) in England - and
later the United States, and Sutemi Horiguchi (1896-1984) in Japan.
Tunnard's pioneering manifesto, Gardens in the Modern Landscape,
first published in 1938, laid out the thinking and provided the
direction for a landscape architecture engaged more strongly with
contemporary life, adopting ideas from modern art as well as the
historical gardens of Japan. Rather than a book, it was the architect
Horiguchi's 1934 essay The Garden of Autumn Grasses that
initiated a new direction for garden making in Japan, with a considered
and artful use of seasonal plants and a stronger connection to the
modern architecture it accompanied. Unlike Tunnard, who sought
inspiration and sources in contemporary art, Horiguchi looked to the
eighteen-century Rimpa School of painting for insights into the
composition of the new garden by carefully placing individual plants
against a simple background. Although the two theorists-practitioners
never met, Tunnard's interest in Japan, and use of Horiguchi's work as
illustrations, links them in a shared quest for a landscape architecture
appropriate to their times and respective countries.
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