The Ibero-American Baroque
著者
書誌事項
The Ibero-American Baroque
(Toronto Iberic, 68)
University of Toronto Press, c2022
- : cloth
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic.
This collection of original essays focuses on the media, institutions, and technologies that were central to cultural exchanges in a broad early modern Iberian world, brought into being in the aftermath of the Spanish and Portuguese arrivals in the Americas. Focusing on the period from 1600 to 1825, these essays explore early modern Iberian architecture, painting, sculpture, music, sermons, reliquaries, processions, emblems, and dreams, shedding light on the Baroque as a historical moment of far-reaching and long-lasting importance.
Anchored in extensive, empirical research that provides evidence for understanding how the Baroque became globalized, The Ibero-American Baroque showcases the ways in which the Baroque has continued to define Latin American identities in the twentieth and twenty-first centuries.
目次
Acknowledgments
Figures
Introduction: The Ibero-American Baroque as the First Global Culture
Beatriz de Alba-Koch
Part 1. Painting, Sculpture, and Other Arts
1. Transfers, Encounters, Innovations: The Church of the Third Order of Saint Francis of Penance in Ouro Preto
Luis de Moura Sobral
2. The Elevation of the Genre of "Shrine Paintings" in Peru
Evonne Levy
3. Baroque Reliquaries and Automatons as Representations of Eternal Life
Enrique Fernandez
4. Marian Sculpture in Baroque Portuguese America
Maria Beatriz de Mello e Souza
Part 2. Architecture
5. Presence and Absence: The Holy House of Loreto in Ibero-America
Clara Bargellini
6. From Intimate to Infinite Presence: The Camarin at Tepotzotlan
Ricardo Castro
7. Passion in Motion: The Way of the Cross as Performance in New Spain
Alena Robin
Part 3. Music
8. Music in Processions at the Jesuit Reducciones of Moxos and Chiquitos in Bolivia
Piotr Nawrot
9. Neapolitan Technology and Galant Style in a Novohispano Context: Eight Concerted Responsories by Ignacio Jerusalem
Lucero Enriquez Rubio
10. The Resonance of Sor Juana's Villancicos in Spanish Cathedral Archives
Aurelio Tello
Part 4. Textual Continuities and Change
11. Emblems and Wit in the Hispanic Baroque according to Baltasar Gracian
Pablo Restrepo-Gautier
12. The Baroque as Paradox: Novelty and Printed Courtly Sermons in Seventeenth- and Eighteenth-Century New Spain
Perla Chinchilla Pawling
13. The Literary Dream in Queretaro: A Baroque Genre and Enlightenment Ideals in New Spain
Beatriz de Alba-Koch
Bibliography
Contributors
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