Women in the cinemas of Iran and Turkey : as images and as image-makers

書誌事項

Women in the cinemas of Iran and Turkey : as images and as image-makers

Gönül Dönmez-Colin

(Routledge studies in Middle East film and media)

Routledge, 2020

  • : hbk

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

i) the first comprehensive analysis of the cinemas of Iran and Turkey comparing the presence and absence of women on both sides of the camera from early days to present ii) first-hand accounts of film-making practices by women in Iran and Turkey iii) feminist readings of canonical works by distinguished male and female film-makers from Iran and Turkey iv) focus on the representations of sexualities and LGBTI identities in the cinemas of two Islamic countries with diverse cultural, traditional and state-imposed restrictions v) focus on one of the most important contemporary disasters, the refugee crisis and the issue of borders through the gaze of the woman film-makers who interpret the residues of traumas on the female body and memory through artistic expressions vi) a rare comparison of the works of Abbas Kiarostami and Nuri Bilge Ceylan from a feminist perspective

目次

Introduction 1. From Inflated Plastic Dolls, Patience Stones, Honour Bearers, Home-Breakers and 'Commodified Others' to Free Agents: Screen Images of Women 2. Women on the Thorny Trail of Image-Making 3. Post-Traumatic Cinema and Gender 4. Narratives of Resistance 5. Sexualities and Queer Imaginaries 6. Border-Crossings and 'Deterritorialized' Film-Makers 7. His Films: Abbas Kiarostami and Nuri Bilge Ceylan Afterword

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