Analytical approaches to 20th-century Russian music : tonality, modernism, serialism
著者
書誌事項
Analytical approaches to 20th-century Russian music : tonality, modernism, serialism
Routledge, 2021
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This volume brings together analyses of works by thirteen Russian composers from across the twentieth century, showing how their approaches to tonality, modernism, and serialism forge forward-looking paths independent from their Western counterparts. Russian music of this era is widely performed, and much research has situated this repertoire in its historical and social context, yet few analytical studies have explored the technical aspects of these composers' styles. With a set of representative analyses by leading scholars in music theory and analysis, this book for the first time identifies large-scale compositional trends in Russian music since 1900.
The chapters progress by compositional style through the century, and each addresses a single work by a different composer, covering pieces by Rachmaninoff, Myaskovsky, Prokofiev, Shostakovich, Mansurian, Roslavets, Mosolov, Lourie, Tcherepnin, Ustvolskaya, Denisov, Gubaidulina, and Schnittke. Musicians, scholars, and students will find here a starting point for research and analysis of these composers' works and gain a richer understanding of how to listen to and interpret their music.
目次
Table of Contents
Contributors
Introduction
Part I: Tonality
Chapter 1
Tonal Pairing in Two of Rachmaninoff's Songs
Ellen Bakulina
Chapter 2
Abundant Novelty of Antitonic Harmony in the Music of Nikolai Myaskovsky
Scott Murphy
Chapter 3
House of Mirrors: Distorted Proportions in Prokofiev's Piano Concerto No. 1
Rebecca Perry
Chapter 4
A Curiosity in the Early String Quartets of Shostakovich, and Its Precedents in Previous Works
Patrick McCreless
Chapter 5
Navigating Post-Soviet Armenia: On Decoloniality in Tigran Mansurian's Requiem
Knar Abrahamyan
Part II: Modernism
Chapter 6
Fifths' Paths through Nikolai Roslavets's Three Poems of Zinaida Gippius
Inessa Bazayev
Chapter 7
Alexander Mosolov's Piano Sonata No. 1 and Its Synthetic Modernism
Daniil Zavlunov
Chapter 8
The Rebirth of Melody in Lourie's Post-Neoclassical Concerto da camera
Klara Moricz
Chapter 9
The Features of Alexander Tcherepnin's Nine-Step Scale and Its Use in the First Movement of His First Symphony
Joshua Bedford
Chapter 10
Timbre and Vibration in Galina Ustvolskaya's Composition No. 1, "Dona nobis pacem"
Maria Cizmic
Part III: Serialism
Chapter 11
Edison Denisov and Multiple-Row Serialism
Zachary Cairns
Chapter 12
Historical and Stylistic Reconciliation in Sofia Gubaidulina's Reflections on the Theme BACH
Joseph Straus
Chapter 13
Monogram, Theme, and Large-Scale Form in Alfred Schnittke's Viola Concerto
Christopher Segall
Index
「Nielsen BookData」 より