A Medieval songbook : Trouvère MS C
著者
書誌事項
A Medieval songbook : Trouvère MS C
(Studies in medieval and Renaissance music / general editors, Tess Knighton and Andrew Wathey, 24)
Boydell Press, 2022
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [229]-244) and indexes
内容説明・目次
内容説明
Detailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation.
The medieval songbook known variously as trouvere manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it provides the texts to over five hundred Old French songs, and is a unique insight into cultures of song-making and copying on the linguistic and political borders between French and German-speaking lands in the Middle Ages. Notably, the names of trouveres, including several female poet-musicians, are found in its margins, names which would be unknown today without this evidence. However, the manuscript has received relatively little scholarly attention, partly because the songs' musical staves remained empty for reasons now unknown, and partly because of where it was copied.
This collection of essays is the first to consider C on its own terms and from a range of disciplinary perspectives, including philology, art history, literary studies, and musicology. The contributors explore the process of creating the complex object that is a music manuscript, examining the work of the scribes and artists who worked on C, and questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine flavour of the repertoire and authors is also discussed, with contributors showing that C frames the tradition of Old French song from a unique perspective. As a whole, the volume demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and scribes interacted with the courtly song tradition in fascinating and unusual ways.
目次
Introduction
Elizabeth Eva Leach, Joseph W. Mason, and Matthew P. Thomson
1. The Trouvere Manuscripts of the Bern Burgerbibliothek
Florian Mittenhuber, translated by Henry Hope
2. The Lorraine Repertoire of C
Melanie Leveque-Fougre
3. Chansonnier C: Contents, Stemmatic Position, Particularities
Paola Moreno
4. A Note on the Decoration of C and its Artistic Context
Alison Stones
5. Author Ascriptions and Genre Labels in C
Luca Gatti
6. Common Exemplars of U and C
Robert Lug
7. Shared Small Sources for Two Early Fourteenth-Century Metz Chansonniers?
Elizabeth Eva Leach
8. The Legacy of Thibaut de Champagne in C
Daniel E. O'Sullivan
9. Strategies of Appropriation in Jacques de Cambrai's Devotional Contrafacts
Christopher Callahan
10. Jeux-Partis and their Contrafacts in C
Joseph W. Mason
11. C and Polyphonic Motets: Exemplars, Adaptations, and Scribal Priorities
Matthew P. Thomson
Appendix: List of Songs in C
Bibliography of Works Cited
General Index
「Nielsen BookData」 より