Picasso's Demoiselles : the untold origins of a modern masterpiece
Author(s)
Bibliographic Information
Picasso's Demoiselles : the untold origins of a modern masterpiece
Duke University Press, 2019
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Chronology: p. [305]-311
Includes bibliographical references (p. [365]-414) and index
Description and Table of Contents
Description
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d'Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
Table of Contents
Preface ix
Introduction 1
1. Setting, Sources, Titles, and Time 19
2. The Making of a Painting 52
3. Art in the Flesh 81
4. The Sorcerer's Apprentice 111
5. L'Oiseau du Benin 152
6. The Global Brothel 185
7. Le Bordel Philosophique 222
Conclusions. The Creative Nexus 264
Acknowledgments 297
Sketchbooks: New Dating 300
Chronology 305
List of Illustrations 312
Notes 333
References 365
Index 415
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