Transpacific attachments : sex work, media networks, and affective histories of Chineseness
著者
書誌事項
Transpacific attachments : sex work, media networks, and affective histories of Chineseness
(Global Chinese culture)
Columbia University Press, c2018
- : cloth
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Author's name also in Chinese character on t.p.: 翁笠
Includes bibliographical references (p. [199]-215) and index
内容説明・目次
内容説明
The figure of the Chinese sex worker-who provokes both disdain and desire-has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their tales clarify the boundaries of citizenship, nationalism, and internationalism. In Transpacific Attachments, Lily Wong studies the mobility and mobilization of the sex worker figure through transpacific media networks, illuminating the intersectional politics of racial, sexual, and class structures.
Transpacific Attachments examines shifting depictions of Chinese sex workers in popular media-from literature to film to new media-that have circulated within the United States, China, and Sinophone communities from the early twentieth century to the present. Wong explores Asian American writers' articulation of transnational belonging; early Hollywood's depiction of Chinese women as parasitic prostitutes and Chinese cinema's reframing the figure as a call for reform; Cold War-era use of prostitute and courtesan metaphors to question nationalist narratives and heteronormativity; and images of immigrant brides against the backdrop of neoliberalism and the flows of transnational capital. She focuses on the transpacific networks that reconfigure Chineseness, complicating a diasporic framework of cultural authenticity. While imaginations of a global community have long been mobilized through romantic, erotic, and gendered representations, Wong stresses the significant role sex work plays in the constant restructuring of social relations. "Chineseness," the figure of the sex worker shows, is an affective product as much as an ethnic or cultural signifier.
目次
List of Illustrations
Acknowledgments
A Note on Translation
Introduction: Sex Work, Media Networks, and Transpacific Histories of Affect
Part I. Pacific Crossings in the Early Twentieth Century
1. Desiring Across the Pacific: Transnational Contact in Early Twentieth-Century Asian/American Literature
2. Over My Dead Body: Melodramatic Crossings of Anna May Wong and Ruan Lingyu
Part II. Sinophonic Liaisons During the Cold War
3. Erotic Liaisons: Sinophonic Queering of the Shaw Brothers' Chinese Dream
4. Offense to the Ear: Hearing the Sinophonic in Wang Zhenhe's Rose, Rose, I Love You
Part III. Dwelling Desires and the Neoliberal Order
5. Dwelling: Affective Labor and Reordered Kinships in The Fourth Portrait and Seeking Asian Female
Coda: What Dwells
Notes
Bibliography
Index
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