The observer effect : on contemporary painting
著者
書誌事項
The observer effect : on contemporary painting
Sternberg Press, [2019]
- タイトル別名
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On contemporary painting
大学図書館所蔵 全1件
注記
Content Type: text (ncrcontent), Media Type: unmediated (ncrmedia), Carrier Type: volume (ncrcarrier)
収録内容
- Editor's foreword
- Painting : In the interrogative mode
- Four shades of white : Ha Chong Hyun among others
- Color and its names : Joseph Marioni's approximately monochromatic paintings
- The 1 percent solution : Bernard Frize behind the surface
- Afterword to stripe painting : Karin Davie and feminism
- The invisible breath : Francesco Polenghi comes up for air
- Intimate convictions : Aspects of Juan Uslé
- Everyday painting : political-erotic-mystical
- Picturehood is powerful : John Currin, Catherine Howe, and Lisa Yuskavage
- Glimpses past the edge : Peter Doig's mysterious spaces
- Apparently ordinary : The stubborn art of Lois Dodd
- Framing the view : Maureen Gallace and the unknowable
- This is what things look like : Alex Katz in the present
- Blackness as code : Karry James Marshall's enigmatic authority
- Strange reversals : Nicole Eisenman's path to genius
- The painter and his double : Tal R meets Shlomo
- Perceptibility : Ellen Altfest looks back
- Sheer sensation : Photographically based painting and modernism
- The observer effect : Changing art history
- Abandoning painting and painting with abandon : Tsibi Geva and the Readymade
- Painting betrayed : Arnaldo Roche Rabell's technique
- "Violent, cartoonish, obscene, voracious" : Sue William's project for a new century
- Abolished still life : Lesley Vance and darkness
- Human presence : Nicola Tyson and the other homunculus
- Between painting and picture : Dana Schutz entertains herself
- No laughing matter : Werner Büttner
- A separate look : Apostolos Georgiou's predicaments
- Object or project? : A critic's reflections on the ontology of art
- A conversation with Andrew Hunt