Architecture and the urban in Spanish film

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書誌事項

Architecture and the urban in Spanish film

edited by Susan Larson

Intellect, 2021

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

This will be the first edited collection in English on urban space and architecture in Spanish popular film since 1898. Building on existing film and urban histories, this innovative volume will examine Spanish film through contemporary interdisciplinary theories of urban space, the built environment, visuality and mass culture from the industrial through to the digital age. Architecture and Urbanism in Spanish Film brings together the innovative scholarship of an international and interdisciplinary group of film, architecture and urban studies scholars thinking through the reciprocal relationship between the seventh art and the built environment. Some of the shared concerns that emerge from this volume include the ways cinema as a new technology reshaped how cities and buildings are built and inhabited since the early twentieth century; the question of the mobile gaze; film's role in the shifting relationship between the private and the public; film and everyday life; monumentality and the construction of historical memory for a variety of viewing publics; the impact of the digital and the virtual on filmmaking and spectatorship. Primary readership will be those researching, teaching and studying Spanish film, international film studies, urban cultural studies, cultural studies, and architects who are interested in interdisciplinary endeavours.

目次

List of Figures Acknowledgments Introduction Architecture, the Urban and the Critical Possibilities of Spanish Film Studies Susan Larson PART 1: ARCHITECTURE AND THE URBAN 1.Architecture, Urbanistic Ideology and the Poetic- AnalyticDocumentary Mode in Mercado de futuros (2011) by Mercedes Alvarez Benjamin Fraser 2.Establishing Shots as Urban Blueprints in Spanish Feature Films Jorge Gorostiza PART 2: MOBILITY 3.The Rhythm of the Modern City: Traffic and Mobility in Spanish Film,1896- 1936 Nuria Rodriguez- Martin 4.Childhood Spectacle, Modernity and Madrid as a Dystopic City: LuisLucia's Cerca de la ciudad (1952) David Foshee Elevators and the Poetics of Vertical Mobility in Spanish Film Tom Whittaker PART 3: SURFACE TENSIONS 6. An Archi- Texture of Pleasure: The Verbena, the Modistilla and the Manton de Manila in Rosa de Madrid (1927) Juli Highfill 7. Surface Tension and Utopian Underworlds: Orpheus and the Executioner in Luis Garcia Berlanga's El verdugo (1963) Patricia Keller PART 4: THE EVERYDAY 8. Mediating Everyday Life: Domestic Architecture in Spanish Film Josefina Gonzalez Cubero and Alba Zarza Arribas 9. Through the Looking Glass: Images of the Ordinary World in Oscar- Nominated Spanish Cinema Emeterio Diez Puertas and Maria de Arana Aroca PART 5: MEMORY AND THE MONUMENTAL 10. Who and What Was Jose Antonio Nieves Conde Criticizing in the Film El inquilino (1957)? Susan Larson and Carlos Sambricio 11. Madrid 1964: Icon of Modernity or City of Memory? A Look at the 'Details' Vicente Sanchez- Biosca 12. Making Madrid Plastic: Waste and Space in Pedro Almodovar's Post- movida Films Samuel Amago PART 6: THE VIRTUAL 13. Uncanny Urbanism and Generational Shifts in Carlos Marques Marcet's 10.000km and Anchor and Hope Leigh Mercer 14. Dead to Capitalism: Zombified Territory and Junkie Spaces in Cabanyal Z, or How to Unleash Monstrous Creativity in the Urban Stephen Luis Vilaseca Notes on Contributors Index

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