Architecture and the urban in Spanish film
著者
書誌事項
Architecture and the urban in Spanish film
Intellect, 2021
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This will be the first edited collection in English on urban space and architecture in Spanish popular film since 1898. Building on existing film and urban histories, this innovative volume will examine Spanish film through contemporary interdisciplinary theories of urban space, the built environment, visuality and mass culture from the industrial through to the digital age.
Architecture and Urbanism in Spanish Film brings together the innovative scholarship of an international and interdisciplinary group of film, architecture and urban studies scholars thinking through the reciprocal relationship between the seventh art and the built environment. Some of the shared concerns that emerge from this volume include the ways cinema as a new technology reshaped how cities and buildings are built and inhabited since the early twentieth century; the question of the mobile gaze; film's role in the shifting relationship between the private and the public; film and everyday life; monumentality and the construction of historical memory for a variety of viewing publics; the impact of the digital and the virtual on filmmaking and spectatorship.
Primary readership will be those researching, teaching and studying Spanish film, international film studies, urban cultural studies, cultural studies, and architects who are interested in interdisciplinary endeavours.
目次
List of Figures
Acknowledgments
Introduction Architecture, the Urban and the Critical Possibilities of Spanish Film Studies
Susan Larson
PART 1: ARCHITECTURE AND THE URBAN
1.Architecture, Urbanistic Ideology and the Poetic- AnalyticDocumentary Mode in Mercado de futuros (2011) by Mercedes Alvarez
Benjamin Fraser
2.Establishing Shots as Urban Blueprints in Spanish Feature Films
Jorge Gorostiza
PART 2: MOBILITY
3.The Rhythm of the Modern City: Traffic and Mobility in Spanish Film,1896- 1936
Nuria Rodriguez- Martin
4.Childhood Spectacle, Modernity and Madrid as a Dystopic City: LuisLucia's Cerca de la ciudad (1952)
David Foshee
Elevators and the Poetics of Vertical Mobility in Spanish Film
Tom Whittaker
PART 3: SURFACE TENSIONS
6. An Archi- Texture of Pleasure: The Verbena, the Modistilla and the Manton de Manila in Rosa de Madrid (1927)
Juli Highfill
7. Surface Tension and Utopian Underworlds: Orpheus and the Executioner in Luis Garcia Berlanga's El verdugo (1963)
Patricia Keller
PART 4: THE EVERYDAY
8. Mediating Everyday Life: Domestic Architecture in Spanish Film
Josefina Gonzalez Cubero and Alba Zarza Arribas
9. Through the Looking Glass: Images of the Ordinary World in Oscar- Nominated Spanish Cinema
Emeterio Diez Puertas and Maria de Arana Aroca
PART 5: MEMORY AND THE MONUMENTAL
10. Who and What Was Jose Antonio Nieves Conde Criticizing in the Film El inquilino (1957)?
Susan Larson and Carlos Sambricio
11. Madrid 1964: Icon of Modernity or City of Memory? A Look at the 'Details'
Vicente Sanchez- Biosca
12. Making Madrid Plastic: Waste and Space in Pedro Almodovar's Post- movida Films
Samuel Amago
PART 6: THE VIRTUAL
13. Uncanny Urbanism and Generational Shifts in Carlos Marques Marcet's 10.000km and Anchor and Hope
Leigh Mercer
14. Dead to Capitalism: Zombified Territory and Junkie Spaces in Cabanyal Z, or How to Unleash Monstrous Creativity in the Urban
Stephen Luis Vilaseca
Notes on Contributors
Index
「Nielsen BookData」 より