The making of Goddess Durga in Bengal : art, heritage and the public
著者
書誌事項
The making of Goddess Durga in Bengal : art, heritage and the public
Springer, c2021
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the 'original site of production' of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of 'art' with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as 'art' introduces a tangled web of power asymmetries between 'art' and 'craft', between an 'artist' and an 'artisan', and between 'appreciation' and 'consumption', along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.
目次
Chapter 1. Debi Durga From Idol to Icon (Mrinmoyee Deb).- Chapter 2. Memorialising Tradition, Constructing Heritage : Work, Life and Social Transformation among the Kumbhakars (Shoma Choudhury-Lahiri).- Chapter 3. In Search of the Prototype - An Art Historical Enquiry into the Evolving Form of Protimas' in Kumartuli, West Bengal (Soujit Das).- Chapter 4. Kumartuli Durga as Heritage: a Study in Iconography (Debdutta Gupta).- Chapter 5. Durga Puja, Kitsch and the Politics of Popular Entertainment (Pradeep Kumar Bose).- Chapter 6. Re-imagining Kumartuli- the cultural politics of artisanal production and the shaping of urban imaginaries (Madhumita Mazumdar).- Chapter 7. Durga Puja in Glasgow (John Reuben Davies).- Chapter 8. The Rhyme of Color and Clay (Rong Matir Panchali).
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