The romance of regionalism in the work of F. Scott and Zelda Fitzgerald : the south side of paradise
著者
書誌事項
The romance of regionalism in the work of F. Scott and Zelda Fitzgerald : the south side of paradise
Lexington Books, c2022
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
The Romance of Regionalism in the Work of F. Scott and Zelda Fitzgerald: The South Side of Paradise explores resonances of "Southernness" in works by American culture's leading literary couple. At the height of their fame, F. Scott and Zelda Fitzgerald dramatized their relationship as a romance of regionalism, as the charming tale of a Northern man wooing a Southern belle. Their writing exposes deeper sectional conflicts, however: from the seemingly unexorcisable fixation with the Civil War and the historical revisionism of the Lost Cause to popular culture's depiction of the South as an artistically deprived, economically broken backwater, the couple challenged early twentieth-century stereotypes of life below the Mason-Dixon line.
From their most famous efforts (The Great Gatsby and Save Me the Waltz) to their more overlooked and obscure (Scott's 1932 story "Family in the Wind," Zelda's "The Iceberg," published in 1918 before she even met her husband), Scott and Zelda returned obsessively to the challenges of defining Southern identity in a country in which "going south" meant decay and dissolution. Contributors to this volume tackle a range of Southern topics, including belle culture, the picturesque and the Gothic, Confederate commemoration and race relations, and regional reconciliation. As the collection demonstrates, the Fitzgeralds' fortuitous meeting in Montgomery, Alabama, in 1918 sparked a Southern renascence in miniature.
目次
Acknowledgments
A Note on the Text
Introduction: Scott and Zelda on the South Side of Paradise
Kirk Curnutt and Sara A. Kosiba
Part One: Inconstant Circles
Chapter One: Sara Mayfield: Zelda's Southern Biographer
Jennifer Horne
Chapter Two: Bittersweet Memories: Southern Womanhood in the Work of Zelda Sayre Fitzgerald, Sarah Haardt Mencken, and Estelle Oldham Faulkner
Ashley Lawson
Part Two: Tarleton Trespasses: City Limits and Artistic Expanses
Chapter Three: The Sounds and the Smells of the South: The Meaning and Use of the Auditory and Olfactory in Fitzgerald's Tarleton Trilogy
Niklas Salmose
Chapter Four: From Jelly-Bean to Jazz-Master (and Back): Region, Class, and Masquerade in the Jim Powell Stories
Robert Beuka
Chapter Five: What's on Fitzgerald's Bookcase?: A Rereading of 'The Jelly-Bean'
John Allen Brooks
Chapter Six: Lamenting the Loss of Old Southern Charm: 'The Last of the Belles'
Lauren Rule Maxwell
Part Three: Contested Territories
Chapter Seven: Going South: Disaster Beneath the Mason-Dixon Line in The Beautiful and Damned
J. Bret Maney
Chapter Eight: The Georgia-Kentucky Border and the Southern Subtext of The Great Gatsby
Bryant Mangum
Chapter Nine: Southern Domesticity Abroad: A Belle's Failed Guide to Housekeeping
Rickie-Ann Legleitner
Chapter Ten: Expressing the Inexpressible: The Logic of Sensation in Zelda Fitzgerald's Art
Samantha Bankston
Part Four: Border Skirmishes
Chapter Eleven: Nostalgic Exile: Mapping the South and American Modernity in 'The Swimmers'
Jonathan Jones
Chapter Twelve: 'Family in the Wind': F. Scott Fitzgerald's Last Great Saturday Evening Post Story
Park Bucker
Chapter Thirteen: 'Those Years Were Bitter on the Border': F. Scott Fitzgerald and the Aftermath of Civil War
Helen M. Turner
Conclusion: Cartographies Interrupted: The Love of the Last Tycoon and Caesar's Things
Kirk Curnutt
About the Contributors
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