The romance of regionalism in the work of F. Scott and Zelda Fitzgerald : the south side of paradise
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Bibliographic Information
The romance of regionalism in the work of F. Scott and Zelda Fitzgerald : the south side of paradise
Lexington Books, c2022
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Includes index
Description and Table of Contents
Description
The Romance of Regionalism in the Work of F. Scott and Zelda Fitzgerald: The South Side of Paradise explores resonances of "Southernness" in works by American culture's leading literary couple. At the height of their fame, F. Scott and Zelda Fitzgerald dramatized their relationship as a romance of regionalism, as the charming tale of a Northern man wooing a Southern belle. Their writing exposes deeper sectional conflicts, however: from the seemingly unexorcisable fixation with the Civil War and the historical revisionism of the Lost Cause to popular culture's depiction of the South as an artistically deprived, economically broken backwater, the couple challenged early twentieth-century stereotypes of life below the Mason-Dixon line.
From their most famous efforts (The Great Gatsby and Save Me the Waltz) to their more overlooked and obscure (Scott's 1932 story "Family in the Wind," Zelda's "The Iceberg," published in 1918 before she even met her husband), Scott and Zelda returned obsessively to the challenges of defining Southern identity in a country in which "going south" meant decay and dissolution. Contributors to this volume tackle a range of Southern topics, including belle culture, the picturesque and the Gothic, Confederate commemoration and race relations, and regional reconciliation. As the collection demonstrates, the Fitzgeralds' fortuitous meeting in Montgomery, Alabama, in 1918 sparked a Southern renascence in miniature.
Table of Contents
Acknowledgments
A Note on the Text
Introduction: Scott and Zelda on the South Side of Paradise
Kirk Curnutt and Sara A. Kosiba
Part One: Inconstant Circles
Chapter One: Sara Mayfield: Zelda's Southern Biographer
Jennifer Horne
Chapter Two: Bittersweet Memories: Southern Womanhood in the Work of Zelda Sayre Fitzgerald, Sarah Haardt Mencken, and Estelle Oldham Faulkner
Ashley Lawson
Part Two: Tarleton Trespasses: City Limits and Artistic Expanses
Chapter Three: The Sounds and the Smells of the South: The Meaning and Use of the Auditory and Olfactory in Fitzgerald's Tarleton Trilogy
Niklas Salmose
Chapter Four: From Jelly-Bean to Jazz-Master (and Back): Region, Class, and Masquerade in the Jim Powell Stories
Robert Beuka
Chapter Five: What's on Fitzgerald's Bookcase?: A Rereading of 'The Jelly-Bean'
John Allen Brooks
Chapter Six: Lamenting the Loss of Old Southern Charm: 'The Last of the Belles'
Lauren Rule Maxwell
Part Three: Contested Territories
Chapter Seven: Going South: Disaster Beneath the Mason-Dixon Line in The Beautiful and Damned
J. Bret Maney
Chapter Eight: The Georgia-Kentucky Border and the Southern Subtext of The Great Gatsby
Bryant Mangum
Chapter Nine: Southern Domesticity Abroad: A Belle's Failed Guide to Housekeeping
Rickie-Ann Legleitner
Chapter Ten: Expressing the Inexpressible: The Logic of Sensation in Zelda Fitzgerald's Art
Samantha Bankston
Part Four: Border Skirmishes
Chapter Eleven: Nostalgic Exile: Mapping the South and American Modernity in 'The Swimmers'
Jonathan Jones
Chapter Twelve: 'Family in the Wind': F. Scott Fitzgerald's Last Great Saturday Evening Post Story
Park Bucker
Chapter Thirteen: 'Those Years Were Bitter on the Border': F. Scott Fitzgerald and the Aftermath of Civil War
Helen M. Turner
Conclusion: Cartographies Interrupted: The Love of the Last Tycoon and Caesar's Things
Kirk Curnutt
About the Contributors
by "Nielsen BookData"
