From book to screen : modern Japanese literature in film
著者
書誌事項
From book to screen : modern Japanese literature in film
(An East gate book)
Routledge, 2015
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First published 2000 by M.E. Sharpe"--T.p. verso
Bibliography: p. 315-318
Includes index
内容説明・目次
内容説明
Of all the world s cinemas, Japan's is perhaps unique in its closeness to the nation's literature, past and contemporary. The Western world became aware of this when Akira Kurosawa's Rashomon was awarded the Grand Prize at the Venice film festival in 1951 and the Oscar for best foreign film in 1952. More recent examples include Shohei Imamura's Eel, which won the Palm d'Or (Best Picture) at Cannes in 1997.From Book to Screen breaks new ground by exploring important connections between Japan's modern literary tradition and its national cinema. The first part offers an historical and cultural overview of the working relationship that developed between pure literature and film. It deals with three important periods in which filmmakers relied most heavily on literary works for enriching and developing cinematic art. The second part provides detailed analyses of a dozen literary works and their screen adoptions.
目次
- Introduction PART I. Shifts in Creative Emphasis 1. The Camera Looks at Melodrama: 1908-1920 2. Literature More Pure Than Popular: 1935-1941 3. More Freedoms, More Troubles: 1951-1959 PART II Writing as Directed: A Re-creative Enterprise 4. A Lyrical Novella Revamped: Gosho's Izu Dancer(1933) 5. Freedom to Stray from the Straight and Narrow: Mizoguchi's Lady Musashino(1951) 6. Religion and Politics: Kumai's The Sea and Poison (1986) 7. The Modern Outcast State: Ichikawa's The Broken Commandment(1962) 8. Cuts in Plot and Characters: Higashi's A River with No Bridge(1992) 9. More of a lust-So Story: Shimazu's The Story of Shunkin (1935) 10. Differently True: Toyoda's A Strange Tale of Tom Bast Of the River(1960) 11. Living the Postwar Life: Naruse's Older BrotheI
- Younger Sister(1953) 12. The Pain of Emancipation: Shinoda's Maihime(1989) 13. Back to the Mirror of the Past: Morita's Sorekara (1985) 14. Stylistic Experiment: Teshigahara's The Face of Another(1966) 15. Rehearsing Death: Takabayashi's The Temple of the Golden PaviIion (1976)
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