Shāh Esmāʿil and his three wives : a Persian-Turkish tale as performed by bards of Khorasan

Bibliographic Information

Shāh Esmāʿil and his three wives : a Persian-Turkish tale as performed by bards of Khorasan

by Ameneh Youssefzadeh, Stephen Blum

(Studies on performing arts & literature of the Islamicate world, v. 12)

Brill, c2022

Uniform Title

ʻĀlamʹārā-yi Shāh Ismāʻīl

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Summary: "This book is the first full text and translation of a prosimetric tale from the rich repertoire of Central and West Asian bards to be published with ready access to recordings of both the prose narration and the sung verse. In Iranian Khorasan, bards known as bakhshi present tales that in other regions are performed wholly in a Turkic language with prose narration in Persian, Khorasani Turkish or Kurmanji Kurdish and most verses in Turkish. We compare portions of the full performance transcribed here with excerpts from two performances of Iranian bakhshis in the 1970s. Three introductory chapters and a commentary discuss musical and verbal dimensions of the bakhshi's art in relation to relevant social, historical, and literary contexts"-- Provided by publisher

Includes bibliographical references (p. [224]-239), discography, and indexes

Description and Table of Contents

Description

This book is the first full text and translation of a prosimetric tale from the rich repertoire of Central and West Asian bards to be published with ready access to recordings of both the prose narration and the sung verse. In Iranian Khorasan, bards known as bakhshi present tales that in other regions are performed wholly in a Turkic language with prose narration in Persian, Khorasani Turkish or Kurmanji Kurdish and most verses in Turkish. We compare portions of the full performance transcribed here with excerpts from two performances of Iranian bakhshis in the 1970s. Three introductory chapters and a commentary discuss musical and verbal dimensions of the bakhshi's art in relation to relevant social, historical, and literary contexts.

Table of Contents

Preface Acknowledgments List of Figures, Maps, and Music Examples Transliteration, Transcription, and Other Editorial Policies Part 1: The Bakhshis and Their Art 1 The Multilingual Bards of Northern Khorasan 1 Peoples and Languages of Northern Khorasan 2 Storytelling in Multi-Ethnic Iran 3 The Khorasani Bakhshi 4 Contexts of Performance 2 Characters and Imagery of the Dastan of Shah Esma'il and Golzar Khanom 1 The Historical Shah Esma'il II 2 Summary of the Dastan in Rowshan's Version 3 Attributes of the Characters 4 Women 5 Garden, Rose and Nightingale 6 Gazelles and Hunters 7 Journeys 8 Complaints 9 Threats and Maxims 3 Performance Practice of the Bakhshis 1 Verse and Tune 2 Melody-Types: Ahang and Maqam 3 Performance Styles Part 2: Text and Translation of Shah Esma'il and Golzar Khanom Episode 1 Episode 2 Episode 3 Episode 4 Episode 5 Episode 6 Episode 7 Episode 8 Episode 9 Episode 10 Episode 11 Episode 12 Episode 13 Episode 14 Episode 15 Episode 16 Episode 17 Episode 18 Episode 19 Episode 20 Episode 21 Part 3: Commentary Episode 1 Episode 2 Episode 3 Episode 4 Episode 5 Episode 6 Episode 7 Episode 8 Episode 9 Episode 10 Episode 11 Episode 12 Episode 13 Episode 14 Episode 15 Episode 16 Episode 17 Episode 18 Episode 19 Episode 20 Episode 21 Appendix: Outline of Yeganeh's Performance of Shah Esma'il and Golzar Khanom Glossary Bibliography Discography Index of Dastans Index of Names

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