Producing dance : a collaborative art

著者

書誌事項

Producing dance : a collaborative art

Robin Kish ... [et al.]

Human Kinetics, c2024

  • : pbk

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注記

Other authors: Wilson Mendieta, Jennifer Backhaus, Marc Jordan Ameel, Samantha Waugh, Kerri Canedy, Todd Canedy

Includes bibliographical references (p. 209-211) and index

内容説明・目次

内容説明

Most dance production books are written from the perspective of a production manager or designer, focusing on the technical aspects of a traditional dance production. Producing Dance takes a unique path-one that includes the voice of the choreographer and dancer in the journey to performance. In doing so, the authors support the process of the entire creative team and cover all aspects of a production. They put those aspects in the context of real-world application, in sequence with other components, creating a toolbox for success for all involved. By the end of the book, readers will have discovered the many options available to them in the production setting and be able to choose the tool most needed at the time. Critical Guidance That Sets This Book Apart Through its collaborative approach, Producing Dance goes beyond the performance, covering evaluation, reflection, and opportunities for growth. And it offers guidance in two critical areas that are not addressed in other dance production books: Creating dance performances in nontraditional spaces such as site-specific venues, dance and culture festivals, and audience-immersive experiences Supporting the development of an artistic career through acquiring business skills such as fundraising, grant writing, and performing business analyses Ancillaries Producing Dance comes with an instructor guide, a test bank, a PowerPoint presentation package, and HKPropel Access. Through HKPropel, students will find supplemental content and study aids: Application activities for each chapter, allowing students to practice the concepts discussed in the chapter Real-world examples with explanations Links to websites that further illustrate concepts Virtual flash cards to help students study and retain key terms Parts of the Book The text is presented in four parts. Part I guides readers in balancing and integrating artistic ideas with logistical considerations to create a clear and unified vision. Part II explores the process of realizing that vision through a collaborative and creative process. In part III, the knowledge gained in the first two parts is put into action as performance takes center stage. In part IV, readers learn how to continue to grow beyond the performance through a variety of pathways that deepen understanding and open up future opportunities. Realizing Vision The journey from an idea to a fully produced vision can be daunting. Producing Dance makes that journey not only doable but also enjoyable. It provides readers the understanding and tools they need to realize their vision, explore and develop their voice, and further their growth and career development. Note: A code for accessing HKPropel is included with all new print books.

目次

Part I. Vision: Balancing Artistic Content and Production Realities Chapter 1. Vision and Collaboration in Dance Performance Early Dance Performances and Vision Performance Spaces Design Elements Summary Chapter 2. Artistic Vision Inspiration and Purpose Tied to Artistic Vision Audience Performance Spaces Research Creative Brief Summary Chapter 3. Logistical Considerations SWOT Analysis SWOT Application Financial Structure Collaborative Organizational Structures Arts Administration Summary Chapter 4. Getting Started Venues Funding Visibility Summary Part II. Process: Clarity Through Creation, Collaboration, and Conversations Chapter 5. Collaborators Organization of Roles Dance Collaborators Production Collaborators Defining a Collaborative Language Production Meetings Summary Chapter 6. Creation in the Studio Auditions Rehearsals Summary Chapter 7. Stage, Scenery, Props, and Lighting Stages Scenery and Props Lighting Summary Chapter 8. Sound, Digital Media, Costumes, and Makeup Sound Digital Media Costume and Makeup Summary Part III. Integration: Blending Vision and Process Chapter 9. Production Timeline Production Calendar Milestones Production Process Pulling the Timelines Together Creating a Gantt Chart Production Meetings Summary Chapter 10. Production Scope and Audience Experience Production Scope Audience Experience Summary Chapter 11. Integrating Elements Onstage Stage Considerations Scenery and Props Lighting Sound Digital Media Costumes Summary Part IV. Culmination: Performance and Beyond Chapter 12. Production Week Timeline Cue-to-Cue Rehearsal Technical (Tech) Rehearsal Dress Rehearsal Expecting the Unexpected Summary Chapter 13. Performance Front of House Backstage Crew Performers Strike Summary Chapter 14. Postmortem Technical Production Perspective Choreographer and Artistic Perspectives Mediators Feedback Now What?

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