The political in Margaret Atwood's fiction : the writing on the wall of the tent
著者
書誌事項
The political in Margaret Atwood's fiction : the writing on the wall of the tent
Routledge, 2017, c2012
- : pbk
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
First published by Ashgate, 2012
First published by Routledge in hardback, 2016
Includes bibliographical references (p. [169]-183) and index
内容説明・目次
内容説明
Suggesting that politics and power are at the center of Margaret Atwood's fiction, Theodore F. Sheckels examines Atwood's novels from The Edible Woman to The Year of the Flood. Whether her treatment is explicit as in Bodily Harm and The Handmaid's Tale or by means of an exploration of interiority as in Cat's Eye and The Robber Bride, Atwood's persistent concern is with how the empowered act towards those who are constrained within the political, economic and social institutions that facilitate power dynamics. Sheckels identifies an increasing sophistication in Atwood's exposition of power over time that is revealed in the later novels' engagement with social class, postcolonialism, and a globalism that merges science and commerce as issues relevant to politics and power. Acknowledging that Atwood is not a political theorist but a novelist, Sheckels does not suggest that her work should be viewed as political commentary but rather as a creative treatment of the laudable but ultimately only partially successful ways in which women and other groups resist the constraints placed on them by institutionalized oppression.
目次
- Contents: Preface
- Introduction
- Part 1 (I) Exteriority: The Edible Woman
- Surfacing
- Lady Oracle
- Life Before Man. Part 2 Politics Foregrounded: Bodily Harm
- The Handmaid's Tale. Part 3 Interiority: Cat's Eye
- The Robber Bride. Part 4 Exteriority (II): Alias Grace
- The Blind Assassin
- Oryx and Crake
- The Year of the Flood
- Atwood overall
- Works cited
- Index.
「Nielsen BookData」 より