Shakespeare on European Festival Stages

書誌事項

Shakespeare on European Festival Stages

edited by Nicoleta Cinpoeş, Florence March, Paul Prescott

(The Arden Shakespeare, . Drama & performance studies)

The Arden Shakespeare, 2022

  • : hbk

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内容説明・目次

内容説明

From the aftermath of World War II to the convulsions of Brexit, festivals have deployed Shakespeare as a model of inclusive and progressive theatre to seek cultural solutions to Europe's multi-faceted crises. Shakespeare on European Festival Stages is the first book to chart Shakespeare's presence at continental European festivals. It examines the role these festivals play in European socio-cultural exchanges, and the impact festivals make on the wider production and circulation of staged Shakespeare across the continent. This collection offers authoritative, lively and informed accounts of the production of Shakespeare at the following festivals: the Avignon Festival and Le Printemps des comediens in Montpellier (France), the Almagro festival (Spain), Shakespeare at Four Castles (Czech Republic and Slovakia), the International Shakespeare Festival in Craiova (Romania), the Shakespeare festivals in Elsinore (Denmark), Gdansk (Poland), Gyula (Hungary), Itaka (Serbia), Neuss (Germany), Patalenitsa (Bulgaria), Rome and Verona (Italy). Shakespeare on European Festival Stages is essential reading for students, scholars and practitioners interested in Shakespeare in performance, in translation and in a post-national Shakespeare that knows no borders and belongs to all of Europe.

目次

List of Illustrations Notes on Contributors Introduction - Paul Prescott, Nicoleta Cinpoes and Florence March 1. Shaping democratic festivals through Shakespeare in southern France: Avignon, Montpellier, Nice Florence March, University Paul-Valery Montpellier 3, France 2. Shakespeare at the Almagro festivals: reinventing the plays in Spain Isabel Guerrero, University of Murcia, Spain 3. Shakespeare at Four Castles: Summer Shakespeare Festival in Prague, Brno, Ostrava (Czech Republic) and Bratislava (Slovakia) Filip Krajnik, University of Brno, Czech Republic and Eva Kyselova, Academy of Performing Arts, Prague, Czech Republic 4. Globolatry in Germany: The Shakespeare Festival at Neuss - a dramaturg's perspective Vanessa Schormann, University of Munich, Germany 5. A world's stage for many players: the international Shakespeare Festival - Craiova, Romania Nicoleta Cinpoes, University of Worcester, UK 6. Festivalizing Shakespeare in Italy: Verona and Rome Lisanna Calvi, University of Verona, Italy and Maddalena Pennacchia, Roma Tre University, Italy 7. The Gdansk Shakespeare Festival: four centuries of travelling theatre in Poland Urszula Kizelbach and Jacek Fabiszak, Adam Mickiewicz University, Poland 8. From a schoolyard play to civic festival: Shakespeare in the Bulgarian village of Patalenitsa Boika Sokolova, University of Notre Dame, London Global Gateway, UK and Kirilka Stavreva, Cornell College, USA 9. The Gyula Shakespeare Festival, Hungary: local, national, European, global Agnes Matuska, University of Szeged, Hungary and Julia Paraizs, Hungarian Academy of Sciences, Hungary 10. Unhomely Shakespeares: interculturalism and diplomacy in Elsinore Anne Sophie Refskou, University of Surrey, UK 11. Shakespeare's Globe in Indija - a portrait of Itaka Shakespeare Festival (Serbia) Alexandra Portmann, Queen Mary, University of London, UK Notes Bibliography Index

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