Orientalism, eroticism and modern visuality in global cultures
著者
書誌事項
Orientalism, eroticism and modern visuality in global cultures
(An Ashgate book)
Routledge, 2016
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
In Orientalism, Eroticism and Modern Visuality in Global Cultures scholars look afresh at representations of nineteenth-century 'oriental' bodies, inquiring deeply into their erotic dimensions, tracing their global dissemination at cross-cultural intersections of the visual and the political. Authors consider the impact of eroticized orientalist representations registered on racial and gendered bodies at historical moments across the globe in the media of photography, painting, prints and sculpture by contextualizing the visual within social practices, ethnography, literature, travel writing and the dynamics of imperialism. Authors examine orientalism's politico-erotic import across not only imperial Britain and France but also throughout India and the Middle East initiating cross-cultural analyses of orientalism outside of Europe. Works studied include Orientalist and homoerotic works by canonic artists such as Ingres, Gerome, Delacroix and Girodet, and lesser-known artists such as sculptor Raffaele Monti and painter Elisabeth Jerichau-Baumann. Contributors explore Turkish and European writings, explorer Richard Burton's self-fashioning, and popular Orientalist photography in India and the Middle East. Authors draw on methods from gender studies, semiotics, material culture and psychoanalysis to explore art, national identity, homoerotic subcultures, female agency, class, sexuality and colonialism. The book is directed to interdisciplinary scholars and students in art history, literature, history, and postcolonial studies.
目次
List of Illustrations ix
Notes on Contributors xiii
Acknowledgments xvii
1 Introduction: Rethinking Orientalism, Eroticism and Cross-Cultural Visuality 1
Julie Codell and Joan DelPlato
PART I: RACE, ETHNICITY AND THE ABJECT ORIENTAL
2 Menace at the Portal: Masculine Desire and the Homoerotics of Orientalism 25
James Smalls
3 Delacroix's Invitation to the Jewish Wedding in Morocco 55
Albert Boime
4 Seeing through "The Veil Trick": Heterotopic Eroticism in Monti's Sculpture Circassian Slave at the Crystal Palace in 1851 83
Joan DelPlato
PART II: DISCOURSES OF PROJECTION AND CULTURAL CROSS-DRESSING
5 The Conceit of Burton's Scar: Orientalism as Identity and Transgression 115
Julie Codell
6 Other Desires and the Desire of Others 141
Mary Roberts
PART III: CIRCULATING AND RE-CIRCULATING ORIENTAL EROTICS
7 Sapphism and the Seraglio: Refl ections on the Queer Female Gaze and Orientalism 163
Reina Lewis
8 European Fantasies and Awadhi Aspirations: From a "Turkish" Harem to a Lucknowi Zenana 181
Saleema Waraich
Works
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