The drag queen anthology : the absolutely fabulous but flawless customary world of female impersonators

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書誌事項

The drag queen anthology : the absolutely fabulous but flawless customary world of female impersonators

Steven P. Schacht with Lisa Underwood, editors

Routledge, 2009

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注記

"Co-published simultaneously as Journal of homosexuality, volume 46, numbers 3/4 2004."

"First published by Harrington Park Press, inc."--T.p. verso

"Transferred to digital printing 2009 by Routledge"--T.p. verso

Includes bibliographical references and index

内容説明・目次

内容説明

Examine the cultural and political implications of male-to-female gender performance! The Drag Queen Anthology: The Absolutely Fabulous but Flawlessly Customary World of Female Impersonators examines the phenomena of male-to-female gender performance and the people who live it. This provocative collection of original essays explores the possibilities, limitations, ironies, and controversies surrounding men who perform as women to an audience that knows the truth but celebrates the illusion. The book's contributors call on extensive backgrounds in sociology, anthropology, theater, literatureeven military studiesand use a variety of approaches to address common themes and genres of presentation, performance, and style in a wide range of historical settings and cultures. The Drag Queen Anthology explores female impersonation in the past and present, addressing the often-contradictory cultural impulses found in the performance of femininity. The book examines the important issues of this unique form of gendering, including the cultural and sociopolitical implications of drag, the symbolic cultural ideals associated with women, the impact of the performer's social identities on his performance, and the reactions of the GLBT, straight, and feminist communities to drag. The book looks at traditional drag performance, challenges accepted perceptions about female impersonation, and exposes the notion of the effeminate drag queen as an outdated myth. The Drag Queen Anthology examines the important issues of male-to-female gender performance, including: how drag queen performance is used to attain situational status and power how drag queens challenge contemporary notions of gender what embodiment occurs when men undertake performances of femininity how drag queen performance is viewed as a theatrical presentation of self what representations of drag queens in film suggest about current gender relations why communities organize around drag queen performers how drag queen performance differs on-stage and off how male-to-female gendered performance intersects with performances of sexual identity, social class, race, age, and ethnicity The Drag Queen Anthology: The Absolutely Fabulous but Flawlessly Customary World of Female Impersonators is an indispensable resource on drag's core elements of performance and parody and how each affects contemporary notions of gender.

目次

Preface (Judith Lorber) Acknowledgments The Absolutely Fabulous But Flawlessly Customary World of Drag Queens and Female Impersonators (Steven P. Schacht and Lisa Underwood) A Lovely War: Male to Female Cross-Dressing and Canadian Military Entertainment in World War II (Laurel Halladay) Wigs, Laughter, and Subversion: Charles Busch and the Strategies of Drag Performance (Richard Niles) The Beauty and the Beast: Reflections About the Socio-Historical and Subcultural Context of Drag Queens and Tunten in Berlin (Carsten Balzer) Moffies, Artists, and Queens: Race and the Production of South African Gay Male Drag (Amanda Lock Swarr) Ad/Dressing the Nation: Drag and Authenticity in Post-Apartheid South Africa (Jennifer Spruill) Chicks with Dicks, Men in Dresses: What it Means to be a Drag Queen (Verta Taylor and Leila J. Rupp) Let the Drag Race Begin: The Rewards of Becoming a Queen (Steven J. Hopkins) Transformance: Reading the Gospel in Drag (Jeffrey Q. McCune, Jr.) Kind of a Drag: Gender, Race, and Ambivalence in The Birdcage and To Wong Foo, Thanks for Everything! Julie Newmar (Mary Kirk) Racializing White Drag (Ragan Rhyne) Balancing Acts: Drag Queens, Gender and Faith (Constance R. Sullivan-Blum) A Comparative Analysis of Hijras and Drag Queens: The Subversive Possibilities and Limits of Parading Effeminacy and Negotiating Masculinity (Sandeep Bakshi) Beyond the Boundaries of the Classroom: Teaching About Gender and Sexuality at a Drag Show (Steven P. Schacht) Index Reference Notes Included

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