{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BC17462450.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BC17462450#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BC17462450.json"},"dc:title":[{"@value":"British music videos, 1966-2016 : genre, authenticity and art"}],"dc:creator":"Emily Caston","dc:publisher":[{"@value":"Edinburgh University Press"}],"dcterms:extent":"ix, 222 p.","cinii:size":"24 cm","dc:language":"eng","dc:date":"2020","cinii:ncid":"BC17462450","cinii:ownerCount":"1","foaf:maker":[{"@type":"foaf:Person","foaf:name":[{"@value":"Caston, Emily"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA003476","@type":"foaf:Organization","foaf:name":"九州大学 芸術工学図書館","rdfs:seeAlso":{"@id":"https://catalog.lib.kyushu-u.ac.jp/opac_openurl/?ncid=BC17462450"}}],"prism:publicationDate":["c2020"],"dc:subject":["DC23:780.267"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Music+videos+--+Great+Britain+--+History+and+criticism","dc:title":"Music videos -- Great Britain -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Popular+music+--+Great+Britain+--+History+and+criticism","dc:title":"Popular music -- Great Britain -- History and criticism"}],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BA85221362#entity","dc:title":"Music and the moving image","@type":"bibo:Book"}],"dcterms:hasPart":[{"@id":"urn:isbn:9781474435321","dc:title":": hbk"}]}]}