The beauty of the trinity : a reading of the Summa Halensis
著者
書誌事項
The beauty of the trinity : a reading of the Summa Halensis
(Medieval philosophy : texts and studies)
Fordham University Press, 2022
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 201-220) and index
内容説明・目次
内容説明
In this book Justin Shaun Coyle remembers the theology of beauty of the forgotten Summa Halensis, an early-thirteenth-century text written by Franciscan friars at the University of Paris. Many scholars vaunt the Summa Halensis-conceived but not drafted entirely by Alexander of Hales (d. 1245)-for its teaching on beauty and its influence on giants of the high scholastic idiom. But few read the text's teaching theologically-as a teaching about God. The Beauty of the Trinity: A Reading of the Summa Halensis proposes an interpretation of the Summa's beauty-teaching as deeply and inexorably theological, even trinitarian.
The book takes as its keystone a passage in which the Summa Halensis identifies beauty with the "sacred order of the divine persons." If beauty names a trinitarian structure rather than a divine attribute, then the text teaches beauty where it teaches trinity. So The Beauty of the Trinity trawls the massive Summa Halensis for beauty across passages largely ignored by the literature. Taking seriously the Summa's own definition of beauty rather than imposing onto the text modernity's narrow aesthetic categories allows Coyle to identity beauty nearly everywhere across the text's pages: in its teaching on the transcendental determinations of being, on the trinity proper, on creation, on psychology, on grace. A medieval text must teach beauty that appreciates beauty theologically beyond the constricted and anachronistic boundaries that often limit study of medieval aesthetics. Readers of medieval theology and theological aesthetics both will find in The Beauty of the Trinity a depiction of how an early scholastic summa thinks beauty according to the mystery of the trinity.
目次
Foreword by Philipp W. Rosemann / vii
List of Abbreviations / xi
Introduction / 1
Part I: Beauty among the Transcendentals
1 Transcendentals and Trinity / 9
Transcendentals in the Summa Halensis * A Trinitarian Motive
2 Transcendentals as Trinitarian Appropriation / 22
A Grammar of Trinitarian Appropriation * One, True, and Good
as Trinitarian Appropriations
3 Beauty as Transcendental Order / 35
Is Beauty a Transcendental? An Aesthetic Aporia * An Anonymous
Proposal * Beauty as Sacred Order of the Trinity * Beauty as Order
of the Transcendentals
Part II: The Trinity's Beauty ad intra
4 The Beauty the Trinity Is / 57
Persons and Processions * The Order of the Trinity *
Is Not the Son Beauty, Too?
Part III: The Trinity's Beauty ad extra
5 The Beauty Creation Is / 77
Creation and Trinitarian Processions * Trinitarian Causality *
Trinitarian Traces * The Beauty of Creation
6 The Beauty the Soul Is / 96
The Soul and Its Powers: A Disputed Question * The Soul and Its Powers
in the Early Halensian School * Brother Alexander on the Imago trinitatis
7 The Beauty Grace Gives / 112
Sin as Antitrinity * Grace's Trinitarian Condition * The Trinitarian
Structure of Grace * Grace as Trinitarian Enjoyment
Conclusion & ad obiectiones / 131
Acknowledgments / 141
Notes / 143
Bibliography / 201
Index / 221
「Nielsen BookData」 より