All-American TV crime drama : feminism and identity politics in Law & order: Special Victims Unit
著者
書誌事項
All-American TV crime drama : feminism and identity politics in Law & order: Special Victims Unit
(Library of gender and popular culture)
I.B. Tauris, 2017
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 234-245) and index
収録内容
- Introduction : all-American crime drama
- A very American story
- Family matters : criminal mothers and fathers
- The violence of race
- A foreign affair : the global turn to gaze at the self
- Images of truth : the science of detection
- Paratexts and the afterlife of SVU
- Conclusion : the story continues
内容説明・目次
内容説明
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative? All-American TV Crime Drama is the first dedicated study of SVU and its treatment of sexual violence, gender and criminality. The book uses detailed textual and visual analyses of episodes to illuminate the assumptions underpinning the programme. Although SVU engages with issues pertaining to feminism and gender it still relies upon traditional and misogynistic tropes such as false rape charges and the monstrous mother to undermine positive views of the feminine. The show, and its backdrop, New York City thus become a stage on which national concerns about women, gender roles, the family and race are carried out. Moorti and Cuklanz unpack how the show has become a crucible for examining current attitudes towards these issues and include an analysis of its reception by its many fans in over 30 countries.
目次
Introduction
Section I. Limits of Representation Practice
Chapter 1: Feminism Modified
Chapter 2: Feminism and Danger in the Global City
Section II. U.S. Multicultural
Chapter 3: Gendering Difference: Race and Heteronormativity
Chapter 4: Global Drag Show
Section III. New Identifications, New Interventions
Chapter 5: Technologies of Violence, Visions of Criminality: The Evidentiary Crisis
Chapter 6: In and Out: Ideological Limits on Contemporary Citizenship
Conclusion
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