Cinderella's glass slipper : towards a cultural history of Renaissance materialities
Author(s)
Bibliographic Information
Cinderella's glass slipper : towards a cultural history of Renaissance materialities
（Cambridge elements, . Elements in the Renaissance / edited by John Henderson,
Cambridge University Press, 2022
- : pbk
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Note
Includes bibliographical references (p. [91]-101)
Description and Table of Contents
Description
Cinderella's Glass Slipper studies Renaissance material cultures through the literary prism of fairy-tale objects. The literary fairy-tale first arose in Renaissance Venice, originating from oral story-telling traditions that would later become the Arabian Nights, and subsequently in the Parisian salons of Louis XIV. Largely written by, for, and in the name of women, these literary fairy-tales took a lightly comic view of life's vicissitudes, especially female fortune in marriage. Connecting literary representations of bridal goods - dress, jewellery, carriages, toiletries, banqueting and confectionary foods - to the craft histories of their making, this Element offers a newly-contextualised socio-economic account of Renaissance luxe, from architectural interiors to sartorial fashioning and design. By coupling Renaissance luxury wares with their fairy-tale representation, it locates the recherche materialities of bridal goods - gold, silver, diamonds and silk - within expanding colonialist markets of a newly-global early modern economy in the age of discovery.
Table of Contents
- 1. Introduction
- 2. The Renaissance Fairy Tale
- 3. Luxury Materialities
- 4. Fairy-tale Objects
- Bibliography.
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