Post-revolution nonfiction film : building the Soviet and Cuban nations
Author(s)
Bibliographic Information
Post-revolution nonfiction film : building the Soviet and Cuban nations
(New directions in national cinemas)
Indiana University Press, c2013
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Filmography: p. [259]-265
Includes bibliographical references (p. [239]-258) and index
Description and Table of Contents
Description
In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society as a whole. Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but also provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film.
Table of Contents
Acknowledgments
1. Introduction: Revolutionary Rupture and National Stability
Part 1
2. Kino-Nedelia, Early Documentary, and the Performance of a New Collective, 1917-1921
3. A Cinema Looking For People: The Individual and the Collective in Immediate Post-Revolutionary Cuban Nonfiction Film
Part 2
4. The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927
5. (Non)Alignments and the New Revolutionary Man
Part 3
6. Esfir Shub, Factography, and the New Documentary Historiography
7. The Object of Revolutionary History: Santiago Alvarez' Commemorative Newsreels and Chronicle Documentaries, 1972-1974
Notes
Filmography
Bibliography
Index
by "Nielsen BookData"