Post-revolution nonfiction film : building the Soviet and Cuban nations
著者
書誌事項
Post-revolution nonfiction film : building the Soviet and Cuban nations
（New directions in national cinemas）
Indiana University Press, c2013
- : pbk
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Filmography: p. [259]-265
Includes bibliographical references (p. [239]-258) and index
内容説明・目次
内容説明
In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society as a whole. Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but also provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film.
目次
Acknowledgments
1. Introduction: Revolutionary Rupture and National Stability
Part 1
2. Kino-Nedelia, Early Documentary, and the Performance of a New Collective, 1917-1921
3. A Cinema Looking For People: The Individual and the Collective in Immediate Post-Revolutionary Cuban Nonfiction Film
Part 2
4. The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927
5. (Non)Alignments and the New Revolutionary Man
Part 3
6. Esfir Shub, Factography, and the New Documentary Historiography
7. The Object of Revolutionary History: Santiago Alvarez' Commemorative Newsreels and Chronicle Documentaries, 1972-1974
Notes
Filmography
Bibliography
Index
「Nielsen BookData」 より
