A cultural history of the avant-garde in the Nordic countries since 1975

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A cultural history of the avant-garde in the Nordic countries since 1975

edited by Benedikt Hjartarson ... [et al.]

（Avant garde critical studies, v. 41）

Brill, c2022

  • : hardback

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注記

Other editors: Camilla Skovbjerg Paldam, Laura Luise Schultz, and Tania Ørum

Includes bibliographical references and index

内容説明・目次

内容説明

The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 is the final volume of the four-volume series of cultural histories of the avant-garde movements in the Nordic countries. This volume carries the avant-garde discussion forward to present-day avant-gardes, challenged by the globalisation of the entertainment industries and new interactive media such as the internet. The avant-garde can now be considered a tradition that has been made more widely available through the opening of archives, electronic documentation and new research, which has spurred both re-enactments, revisions and continuations of historical avant-garde practices, while new cultural contexts, political, technological and ecological conditions have called for new strategies.

目次

Preface Contributors The Long Avant-Garde Tradition - Restaging, Resisting, Renewing Tania Orum and Laura Luise Schultz Section 1: Paradigmatic Cases Introduction to Section 1 Benedikt Hjartarson Appropriating the Past to Examine the Present - On Matias Faldbakken as Media Artist Anders Skare Malvik Magma and Persona - Material Generativity in the Work of Bjoerk Gudmundsdottir Holger Schulze DOGMA 95 and The Idiots - A Renewal of Avant-Garde Realism in Film Bodil Marie Stavning Thomsen Feminist Avant-Garde Film of the 1970s as Gender Politics - The Example of Tornerose, by Jytte Rex and Kirsten Justesen Camilla Skovbjerg Paldam Such Stuff as We Are Made of - Kirsten Dehlholm, Billedstofteater and Hotel Pro Forma Laura Luise Schultz "An American Poet Only Writing in Finnish" - Leevi Lehto's Seminal Role in Contemporary Finnish Poetry Anna Helle and Martin Glaz Serup Section 2: The Promises of Technology Introduction to Section 2 Camilla Skovbjerg Paldam The Avant-Garde and the Computer Industry - Art and Technology Collaborations at Datasaab and IBM Sweden from the late 1960s to the 1990s Anna Orrghen Miracle Machines - The Creative and Democratic Promise of the Photocopier: Danish Xerography 1979-1995 in an Avant-Garde Perspective Lise Skytte Jakobsen Avant-Garde Anomalies and Transnational Trajectories - The Place and Time of Gunvor Nelson's Collage Films of the 1980s John Sundholm Art for Aliens - On Goodiepal's Xenophile Posthumanism Jacob Wamberg Erkki Kurenniemi - Life Is an Algorithm Lars Bang Larsen Life in a Code - Mikael Brygger's "NASDAQ 30.5.2010" as Found Poetry Miikka Laihinen Section 3: The Performative Turn Introduction to Section 3 Laura Luise Schultz She Splits Phallic Cucumbers with a Knife - The Norwegian Vienna Activist that Art History Forgot Susanne Christensen "Don't Panic. Black, No Sugar is a New Way of Life!" - An Icelandic Street Theatre between Carnival and Disturbance Magnus THor THorbergsson Two Different Perspectives on the Avant-Garde in Finnish Dance in the 1980s - Reijo Kela and Sanna Kekalainen Aino Kukkonen Hilarious Imperialists - Baktruppen's Bad Family Photos from the World Tour Cecilie Ullerup Schmidt Jessie Kleemann between Orsoq and Turpentine David Winfield Norman Humour as an Avant-Garde Strategy in Three Generations of Feminist Art: Kirsten Justesen, Hanne Nielsen & Birgit Johnsen and Maja Malou Lyse Camilla Skovbjerg Paldam Precarious Fiction and Precarious Spectatorship - The Artistic Practice of SIGNA as Theatrical Avant-Garde Thomas Rosendal Nielsen Section 4: Intervention and Institutional Critique Introduction to Section 4 Laura Luise Schultz The Skinnebach Effect - Towards a Poetic Institutional Critique Mathies G. Aarhus The Stunt Poets - A Literary Avant-Garde in the Neo-Liberal Age of Mass Media Wenche Larsen We Are a Song the Band Doesn't Play - Systematic Systemic Critique in Contemporary Swedish Poetry Elisabeth Friis The Sami Museum in Karasjok - A Story of Resistance Hanna Horsberg Hansen S.L.A.T.U.R. - The Obtrusive Composers' Collective Margret Elisabet Olafsdottir The Guerrilla Paradigm or "Feminist-Avant-Garde" - Towards an Alternative Feminist Canon AEsa Sigurjonsdottir Section 5: Venues Introduction to Section 5 Benedikt Hjartarson J.O. Mallander and the Nordic Neo-Avant-Garde Sami Sjoeberg Was ist der Fall? What is the Case? Mr. Klein's Last Moments (P)reconstructed by Mail Peter van der Meijden Toward a Kinetic Icelandic Culture - Fridrik THor Fridriksson, Sudurgata 7 and Experimental Film in Iceland Benedikt Hjartarson Look Back, Dig Out, Mix Up, Think Forward - The Archival Activism of OEI Thomas Hvid Kromann The Bergensbrag Generation - The Rise of Independent Literary Platforms in Norway, 2000-2005 Susanne Christensen Investigative Infrastructures - Nordic Small Presses of the Twenty-First Century Ana Stanicevic Locality and Literary Intervention - Ida Boerjel's Skaneradio Marianne Olholm Danish Children's and Youth Television from an Avant-Garde Perspective Christa Lykke Christensen The Ultima Festival in Oslo - Institutionalising the Avant-Garde? Astrid Kvalbein Section 6: Subcultures Introduction to Section 6 Laura Luise Schultz The Copenhagen Punk Years - Art with No Future? Marie Arleth Skov The Performance Group Vaerst's Nine Performance Videos for Sort Sol's Album Flow My Firetear Magnus Kaslov Beyond the Borders - Elgaland-Vargaland and the Association for Temporary Art Hakan Nilsson The Happy Antagonist - Pasi "Sleeping" Myllymaki's Underground Super-8 Films Tytti Rantanen Immigrant Film Co-Operatives in Sweden - The Most Typical Avant-Garde Lars Gustaf Andersson and John Sundholm Specialists in Revolt - The Surrealist Group of Stockholm Kristoffer Noheden "To Be Fully Subconscious" - On the Medusa Group Ulfhildur Dagsdottir Home to Hell - Toroddur Poulsen Kinna Poulsen A "Cow-Napping" in Context: From the Scribble Board to Zero Tolerance - (Sub)Cultural Interventions in the Public Realms of Stockholm, 1968-2004 Jacob Kimvall "... because enmity and admiration go hand in hand" - Guy Maddin's Tales from the Gimli Hospital Kjartan Mar Omarsson Section 7: Postmodernism and Re-Enactments Introduction to Section 7 Camilla Skovbjerg Paldam Postmodern Avant-Garde in Theory and in Poetry in Finland at the End of the Twentieth Century Harri Veivo Avant-Garde vs. "Avant-Garde" - Danish Artists of the 1980s as Successors to and Rebels against the 1960s Avant-Garde Kamma Overgaard Hansen Traces of Avant-Garde Strategies in Danish Poetry of the 1980s Marianne Olholm Cecilie Loveid - Postmodern Recycling of the Avant-Garde Wenche Larsen French Feminist Theory and Surrealism in Karin Moe's Kjonnskrift (Sextext) Gerd Karin Omdal "New. Fantastic. Different" - Mariaana Jantti's Amorfiaana (1986) and Monika Fagerholm's Diva (1998) as Finnish Feminist Avant-Garde Prose Fiction Kaisa Kurikka The Arctic Mongrel - Pia Arke's Ethno-Aesthetics as Post-Colonial Avant-Gardism Mette Sandbye Section 8: The End of the Avant-Garde? Introduction to Section 8 Tania Orum Superflex and the End of Art Solveig Gade A BIGamist Bricoleur - The Postmodern Avant-Gardism of Bjarke Ingels Kasper Laegring Avant-Garde Design in Denmark - Four Cases Concerning Furniture Peter Brix Sondergaard Avant-Garde and Post-Colonial? - How to Square the Circle in a Nordic Country with a Colonial Past Anne Ring Petersen Constructing an Avant-Garde Canon in the Twenty-First Century - On the Icelandic Poetry Group Nyhil Benedikt Hjartarson Precarious Life - Nielsen's Search for a Life beyond Identity Laura Luise Schultz A Contemporary Avant-Garde in the Nordic Countries? Subversion or Subvention Mikkel Bolt Rasmussen Index

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