Fascism and theatre : comparative studies on the aesthetics and politics of performance in Europe, 1925-1945

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書誌事項

Fascism and theatre : comparative studies on the aesthetics and politics of performance in Europe, 1925-1945

edited by Günter Berghaus

Berghahn Books, 1996

  • : paperback

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注記

Bibliography: p. [277]-298

Includes index

内容説明・目次

内容説明

Since the 1920s, an endless flow of studies has analyzed the political systems of fascism, theseizure of power, the nature of the regimes, the atrocities committed, and, finally, the wars waged against other countries. However, much less attention has been paid to the strategies of persuasion employed by the regimes to win over the masses for their cause. Among these, fascist propaganda has traditionally been seen as the key means of influencing public opinion. Only recently has the "fascination with Fascism" become a topic of enquiry that has also formed the guiding interest of this volume: it offers, for the first time, a comparative analysis of the forms and functions of theater in countries governed by fascist or para-fascist regimes. By examining a wide spectrum of theatrical manifestations in a number of States with a varying degree of fascistization, these studies establish some of the similarities and differences between the theatrical cultures of several cultures in the interwar period.

目次

Chapter 1. Staging the Nations Rebirth: The Politics and Aesthetics of Performance in the Context of Fascist Studies R. Griffin Chapter 2. The Cultural Politics of Fascist Governments R. Kuhnl Chapter 3. The Ritual Core of Fascist Theatre: An Anthropological Perspective G. Berghaus Chapter 4. The Theatre of Politics in Fascist Italy E. Gentile Chapter 5. The Organization, Fascistization and Management of Theatre in Italy, 1925-43 D. Thompson Chapter 6. Theatre Politics of the Mussolini Regime and their Influence on Fascist Drama P. Cavallo Chapter 7. Mussolini's "Theatre of the Masses" M. Verdone Chapter 8. Censorship in Nazi Germany: The Influence of the Reich's Ministry of Propaganda on German Theatre and Drama, 1933-1945 B. Panse Chapter 9. The Municipal Theatre in Frankfurt-on-the-Main: A Provincial Theatre under National Socialism B. Schultke Chapter 10. The Orchestration of the National Community: The Nuremburg Party Rallies of the NSDAP H.-U. Thamer Chapter 11. Theatre and Falangism at the Beginning of the Franco Regime S. Wahnon Chapter 12. Competing Together in Fascist Europe: Sport in Early Francoism J. London Chapter 13. Jacques Copeau and "Popular Theatre" in Vichy France S. Added Chapter 14. Towards an Aesthetics of Fascist Opera E. Levi Bibliography Illustrations Index

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