The filmmaker's eye : learning (and breaking) the rules of cinematic composition

Bibliographic Information

The filmmaker's eye : learning (and breaking) the rules of cinematic composition

Gustavo Mercado

(A Focal Press book)

Routledge, 2022

2nd ed

  • : pbk

Available at  / 2 libraries

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Note

"First edition published by Focal Press 2010"--T.p. verso

Filmography: p. 221-224

Includes index

Description and Table of Contents

Description

* Become an eloquent visual storyteller through effective and expressive choices for each and every shot in your film with hundreds of full-color examples from your favorite blockbusters in this easy-to-reference guide * Types of shots covered include close-ups, long shots, over the shoulder shots, group shots, zoom shots, pan shots, dolly shots, tracking shots, and more * The 2nd edition has been comprehensively updated with new movie examples of various shots featured, a new chapter on The Overhead Shot, expanded sections on aspect ratios, rule of thirds, shooting formats, and updated organisation into parts on sizes conventions and dynamics.

Table of Contents

  • acknowledgments
  • preface to the second edition
  • introduction
  • finding the frame
  • image systems
  • rules of cinematic composition & technical concepts
  • SIZES
  • extreme close-up
  • close-up
  • medium close-up
  • medium shot
  • medium long shot
  • long shot
  • extreme long shot
  • CONVENTIONS
  • over the shoulder shot
  • establishing shot
  • subjective shot
  • two shot
  • group shot
  • split-screen shot
  • canted shot
  • overhead shot
  • inverted shot
  • emblematic shot
  • abstract shot
  • macro shot
  • zoom shot
  • DYNAMICS
  • pan shot
  • tilt shot
  • dolly shot
  • dolly zoom shot
  • tracking shot
  • Steadicam (R) shot*
  • crane shot
  • aerial shot
  • sequence shot
  • filmography
  • image credits
  • index

by "Nielsen BookData"

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