A semiotic approach to open notations : ambiguity as opportunity
著者
書誌事項
A semiotic approach to open notations : ambiguity as opportunity
（Cambridge elements, . Elements in music since 1945 / edited by Mervyn Cooke）
Cambridge University Press, 2021
- : pbk
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Bibliography: p. [72]-75
内容説明・目次
内容説明
Along with twentieth-century developments in playing techniques, technologies, and concepts of musical sound, the notations employed by composers have also changed. Composers of what Umberto Eco calls 'open works' often employ intentionally ambiguous music notations. These open notations ask the performer to play a radical and active role in co-creating the musical work. Scores that feature open notations have been part of the Western classical music landscape since the mid-twentieth century, and continue to have a vibrant community of practitioners today. In this Element, Tristan McKay considers intersections of ambiguity, authority, and identity in works with open notations. He develops a semiotic approach to open notation analysis and puts it into practice with in-depth analyses of openly notated works by Earle Brown, Will Redman, and Leah Asher.
目次
- Introduction
- 1. Ambiguity As Opportunity
- 2. A Semiotic Approach To Open Notations
- 3. Into The Wilderness: Semiotic Analysis In Practice
- 4. Final Thoughts
- Appendix: Prompts For Analysis.
「Nielsen BookData」 より