The ugliness of Moses Mendelssohn : aesthetics, religion and morality in the eighteenth century
著者
書誌事項
The ugliness of Moses Mendelssohn : aesthetics, religion and morality in the eighteenth century
(Routledge Jewish studies series)
Routledge, 2018
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
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  東京
  神奈川
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  富山
  石川
  福井
  山梨
  長野
  岐阜
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  愛知
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  滋賀
  京都
  大阪
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  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
The Ugliness of Moses Mendelssohn examines the idea of ugliness through four angles: philosophical aesthetics, early anthropology, physiognomy and portraiture in the eighteenth-century.
Highlighting a theory that describes the benefit of encountering ugly objects in art and nature, eighteenth-century German Jewish philosopher Moses Mendelssohn recasts ugliness as a positive force for moral education and social progress. According to his theory, ugly objects cause us to think more and thus exercise-and expand-our mental abilities. Known as ugly himself, he was nevertheless portrayed in portraits and in physiognomy as an image of wisdom, gentility, and tolerance. That seeming contradiction-an ugly object (Mendelssohn) made beautiful-illustrates his theory's possibility: ugliness itself is a positive, even redeeming characteristic of great opportunity.
Presenting a novel approach to eighteenth century aesthetics, this book will be of interest to students and scholars in the fields of Jewish Studies, Philosophy and History.
目次
Introduction: The Eyes of the Beholders 1 Moral Aesthetics: What is the Ugly? 2 Comeliness, Glamour, Ugliness: Physical Distinctions and Moral Implications 3 Reading Faces, Reading Souls: Johann Caspar Lavater's New Physiognomy 4 The Ugly Made Beautiful: The Meaning and Appearance of Mendelssohn Conclusion
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