Art and objects

Author(s)

• Harman, Graham

Bibliographic Information

Art and objects

Graham Harman

Polity, 2019, c2020

• : pbk

Other Title

Art + objects

Note

Description based on 2022 printing

"First published in 2019 by Polity Press"--T.p. verso

Includes bibliographical references (p. 187-195) and index

Description and Table of Contents

Description

In this book, the founder of object-oriented ontology develops his view that aesthetics is the central discipline of philosophy. Whereas science must attempt to grasp an object in terms of its observable qualities, philosophy and art cannot proceed in this way because they don't have direct access to their objects. Hence philosophy shares the same fate as art in being compelled to communicate indirectly, allusively, or elliptically, rather than in the clear propositional terms that are often taken - wrongly - to be the sole stuff of genuine philosophy. Conceiving of philosophy and art in this way allows us to reread key debates in aesthetic theory and to view art history in a different way. The formalist criticism of Greenberg and Fried is rejected for its refusal to embrace the innate theatricality and deep multiplicity of every artwork. This has consequences for art criticism, making pictorial content more important than formalism thinks but less entwined with the social sphere than anti-formalism holds. It has consequences for art history too, as the surrealists, David, and Poussin, among others, gain in importance. The close link between aesthetics and ontology also invites a new periodization of modern philosophy as a whole, and the habitual turn away from Kant's thing-in-itself towards an increase in philosophical "immanence" is shown to be a false dawn. This major work will be of great interest to students and scholars of philosophy, aesthetics, art history and cultural theory.

Table of Contents

Abbreviations for Frequently Cited Works Preliminary Note Introduction: Formalism and the Lessons of Dante 1. OOO and Art: A First Summary 2. Formalism and its Flaws 3. Theatrical, Not Literal 4. The Canvas is the Message 5. After High Modernism 6. Dada, Surrealism, and Literalism 7. Weird Formalism Notes Works Cited

by "Nielsen BookData"

Details

• NCID: BC18918741
• ISBN:
  • 9781509512683
• LCCN: 2019008491
• Country Code: uk
• Title Language Code: eng
• Text Language Code: eng
• Place of Publication: Cambridge
• Pages/Volumes: xii, 204 p.
• Size: 23 cm
• Classification:
  • LCC : BH39
  • DC23 : 111/.85
• Subject Headings:
  • LCSH : Aesthetics