Music in cinema
著者
書誌事項
Music in cinema
（Film and culture）
Columbia University Press, c2021
- : pbk
- タイトル別名
-
La musique au cinéma
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.
The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in The Jazz Singer, the zither in The Third Man, Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicite, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrete, of which he is a composer.
Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.
目次
Translator's Note
Preface
Introduction: Music Redefined by Cinema
Part I: Historical Perspectives
1. Dreams and Realities: 1895-1935
2. Classicism to Modernism: 1935-1975
3. Back to the Future: 1975-1995
4. Whither Film Music? 1996-2020
Part II: The Three Faces of Music in Cinema
5. Music as Element and Means
6. Music as World
7. Music as Subject, Metaphor, and Model
By Way of Conclusion
Glossary
Notes
Index
「Nielsen BookData」 より