One-track mind : capitalism, technology, and the art of the pop song
著者
書誌事項
One-track mind : capitalism, technology, and the art of the pop song
(Ashgate popular and folk music series)
Routledge, 2023
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Technology, and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks, and spanning nearly five decades, these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, postpunk, adult contemporary rock, techno, hip-hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root, readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements.
目次
One-Track Mind: An Introduction
Asif Siddiqi
Le Grand Kalle and African Jazz-"Independance Cha Cha" (1960)
Simon Zagorski-Thomas
Gerald Wilson-"Viva Tirado" (1962)
Oliver Wang
Moby Grape- "Omaha" (1967)
Susan Schmidt Horning
Led Zeppelin-"Immigrant Song" (1970)
Esther Liberman Cuenca
David Bowie-"Rebel Rebel" (1974)
Glenn Hendler
Donna Summer-"I Feel Love" (1977)
Simon Reynolds
X-Ray Spex-"Oh Bondage Up Yours!" (1977)
Helen Reddington
Prince-"When You Were Mine" (1980)
Scott Poulson-Bryant
Neil Young-"Transformer Man" (1982)
George Plasketes
The Replacements-"Unsatisfied" (1984)
Gina Arnold
NWA-"F- Tha Police (1988)
Austin McCoy
Salt-N-Pepa-"Shoop" (1993)
Amy Coddington
Hanson-"MmmBop" (1997)
Louie Dean Valencia
Elton John-"Candle in the Wind 1997" (1997)
Christine Caccipuoti
LCD Soundsystem-"All My Friends" (2007)
Gabrielle Cornish
MIA-"Paper Planes" (2007)
Asif Siddiqi
「Nielsen BookData」 より