Prophets and philosophers
著者
書誌事項
Prophets and philosophers
(Pop music, culture and identity, . Indigenous African popular music ; v. 1)
Palgrave Macmillan, c2022
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their proteges who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist.
目次
- 1 Introduction: Indigenous African Popular MusicPart I The Nature, Philosophies and Genres of Indigenous African Popular Music 2 Indigenous and Modern Zimbabwean Music: Reflections from Thomas Mapfumo's Chimurenga Music Genre 3 Rhythmic Signifying in Popular Venda Music 4 Baansi ni Yila: A Critical History of the Music Industry in Northern Ghana 5 Indigenous and Indigenised Yoruba Popular Music 6 Social Cognition and Advertisement in Yusuf Olatunji's Music 7 Exploring the Value Systems Embedded in Indigenous Yoruba Music Genres and Yoruba Nursery Rhymes 8 Cultural Frames: Sociocultural Metaphors in Owerri-Igbo Bongo Music 9 Thematic Deconstructions of Urhobo/Isoko Musicology and Brand Identity Negotiation, Normalization and Contradictions: Discourse Narrative 10 Dung Chollom and Berom Ethnic Popular Music Part II Indigenous African Popular Music Artists as Prophets and Philosophers 11 Corpus of Prophecy, Philosophy and Crusading in Ayinla Omowura's Music 12 Forewarned Is Forearmed: Exploring the Apocalyptic Voice of Popular Music in the Post-colonial Zimbabwe 13 Reeling Nostalgia: 'Aremote' and the Enduring Sakara Music in Nigeria 14 Celebration as Choice in Nigerian Indigenous and Modern Music: A Critical Analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour) 15 Yoruba Socio-Cultural Norms and Values in Selected Songs of Buko la Elemide (As a) 16 Rethinking Values and Principles: An Examination of Osita Osadebe Songs in Igbo Cultural Value Preservation Part III Indigenous African Popular Music and the World 17 Valodia: A Transatlantic Praise Song 18 The Adaptation of Zimbabwean Mbira Dzavadzimu Music, from Traditional to Modern Popular Band Format
- the Case of Thomas Mapfumo 19 Macheso's Sungura and Social Identity Narratives in Postcolonial Zimbabwe 20 "One Beat, One Pound": Kasumu Isola Sanni-The Sakara Master Drummer 21 When Culture and Tradition Aren't Archaic: The Song Semantics of Zimbabwean Mbira's International Appeal
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