Philosophy of painting : ancient, modern, contemporary

Author(s)

Bibliographic Information

Philosophy of painting : ancient, modern, contemporary

Jason Gaiger

(Bloomsbury aesthetics)

Bloomsbury Academic, 2022

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Note

Includes bibliographical references (p. [203]-214) and index

Description and Table of Contents

Description

What can philosophy reveal about painting and how might it deepen our understanding of this enduring art form? Philosophy of Painting investigates the complex relationship between the painted surface and the depicted subject, opening up current debates to address questions concerning the historicality of art. Embracing contemporary painting, it examines topics such as the post-medium condition and the digital divide, and the work of artists such as Lynette Yiadom-Boakye, Amy Sillman and Katharina Grosse. Illustrated with 24 colour plates and highly readable throughout, Philosophy of Painting provides a philosophically rigorous defence of the relevance of painting in the 21st century, making an original contribution to the major ideas informing painting as an art. Here is a clear and coherent account of the contemporary significance of painting and the pressures and possibilities that distinguish it from other art forms.

Table of Contents

Preface 1. Philosophical Questions 2. A Window onto the World 3. Surface and Subject 4. Resemblance and Denotation 5. The Specifically Visual 6. Modernism and the Avant-Garde 7. Contemporary Painting Bibliography Index

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Details

  • NCID
    BD00662452
  • ISBN
    • 9781350104907
  • Country Code
    uk
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    London
  • Pages/Volumes
    viii, 219 p., [24] p. of plates
  • Size
    22 cm
  • Classification
  • Subject Headings
  • Parent Bibliography ID
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