Mourning the nation to come : Creole nativism in nineteenth-century American literatures
Author(s)
Bibliographic Information
Mourning the nation to come : Creole nativism in nineteenth-century American literatures
Louisiana State University Press, 2020
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Based on the author's dissertation (doctoral)--University of Texas, Austin, 2010
Includes bibliographical references and index
Contents of Works
- Introduction: The Book Is a Grave
- Prolegomenon: Working through John Brown's Body
- Books Buried in the Earth
- Sovereign Tears, or, The Indian Is History
- The Shadow of the (m)Other
- Mother Tongues: Translating the Nation
- Coda: What Remains
Description and Table of Contents
Description
In Mourning the Nation to Come, Jillian J. Sayre offers a comparative study of early national literature and culture in the United States, Brazil, and Spanish America that theorizes New World nationalism as grounded in cultures of the dead and commemorative acts of mourning. Sayre argues that popular historical romances unified communities of creole readers by giving them lost love objects they could mourn together, allowing citizens of newly formed nations to feel as one.
To trace the emergence of New World nationalism, Mourning the Nation to Come focuses on the genre of historical writings often gathered under the title of ""Indianist romance,"" which engage Native American history in order to translate Indigenous claims to the land as iterations of creole nativism. These historical narratives foresee present communities, anticipating the nation as the inevitable realization or fulfillment of a prophecy buried in the past. Sayre uncovers prophetic, nation-building narrative in texts from across the Americas, including the Book of Mormon and works of fiction, poetry, and oratory by JosA (c) de Alencar, William Apess, Lydia Maria Child, James Fenimore Cooper, Herman Melville, and JosA (c) JoaquA n de Olmedo, among others.
By using cultural theory to interpret a transnational archive of literary works, Mourning the Nation to Come elucidates the structuring principles of New World nationalism located in prophetic narratives and acts of commemoration.
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