The economies of serious and popular art : how they diverged and reunited
Author(s)
Bibliographic Information
The economies of serious and popular art : how they diverged and reunited
(Cultural economics & the creative economy)
Palgrave Macmillan, c2022
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
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  Gifu
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  Kyoto
  Osaka
  Hyogo
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  Okayama
  Hiroshima
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  Saga
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  Kumamoto
  Oita
  Miyazaki
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  Okinawa
  Korea
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  United Kingdom
  Germany
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Note
Includes bibliographical references and indexes
Description and Table of Contents
Description
Combining an economic perspective with sociological and historic insights, this book investigates the separation of 'popular' and 'serious' art over a period of almost two centuries. As the boundaries between our perceptions of established art and popular become more porous, Abbing considers questions such as: Who benefitted from the separation? Why is exclusivity in the established arts so important? Did exclusivity lead to high cost, high subsidies and high prices? Were and are underprivileged groups excluded from art consumption and production? How did popular music become so successful in the second half of the twentieth century? Why does the art profession remain extraordinarily attractive for youngsters in spite of low incomes? The book also discusses the evolution of art in the twenty-first century, considering for example how the platform economy affects the arts, whether or not the established arts are joining the entertainment industry, and the current level of diversity in art. Written from the dual perspective of the author as an artist and social scientist, the book will be of interest for cultural economists and academics as well as artists and general readers interested in art.
Table of Contents
Chapter 1: Preface.- Chapter 2: The Triumph of Serious Art.- Chapter 3: Authentic Art and Artists.- Chapter 4: Exclusion.- Chapter 5: Distrust of Commerce and Commercialism.- Chapter 6: Sharing Art.- Chapter 7: Present and Future Changes.- Chapter 8: Conclusion.
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