Writing Ghana, imagining Africa : nation and African modernity
Author(s)
Bibliographic Information
Writing Ghana, imagining Africa : nation and African modernity
(Rochester studies in African history and the diaspora, [16])
University of Rochester Press, 2009, c2004
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"First published 2003. Reprinted in paperback and transferred to digital printing 2009"--T.p. verso
Includes bibliographical references (p. 319-336) and index
Description and Table of Contents
Description
This book makes Africa the centerpiece of an intercultural investigation of modern colonial power and its resistance, focusing on the writings of Ghanaian intellectuals.
Writing Ghana, Imagining Africa changes dominant ideas about Africa's relations with modernity and the global history of nationalism by recovering, and bringing fresh interpretations to, a modern genealogy of African nationalist theory. Author Kwaku Larbi Korang examines the writing of intellectuals from preindependence Ghana from the latter half of the nineteenth century to the mid-twentieth, writers who operated self-consciously in a Pan-African ideological framework. By confronting the concept of "the African Nation" under the colonial order, Korang contends that these writer-intellectuals were also confronting modernity in ways that would be important to the late twentieth and early twenty-first centuries.
Through its affiliation with recent revisionary works that have demonstrated the conceptual and existential validity of "alternative modernities," the volume shifts our understanding of the modern from a securely and exclusively Western mode of being to the modern as relational and inclusively intercultural. It mobilizes this relational and intercultural conception to locate and outline "African modernity."
Additionally,Writing Ghana, Imagining Africa demonstrates why and how projections of, and debates about, "African modernity" have been more than a continental affair. Korang comprehensively relates the thought of African Americans (Martin Delany, Alexander Crummell, W. E. B. Du Bois, Richard Wright), and West Indians (George Padmore, C.L.R. James), to that of seminal anglophone West African thinkers like E. W. Blyden, Africanus Horton, J. E. Casely Hayford, and Kwame Nkrumah.
Kwaku Larbi Korang is associate professor in the Department of African and African American Studies at Ohio State University.
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