Three loves for three oranges : Gozzi, Meyerhold, Prokofiev

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書誌事項

Three loves for three oranges : Gozzi, Meyerhold, Prokofiev

edited by Dassia N. Posner and Kevin Bartig with Maria De Simone

（Russian music studies / Simon A. Morrison and Peter Schmelz, editors）

EBSCO, 2021

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注記

Originally published: Bloomington : Indiana University Press , 2021

PDF and EPUB formats

Includes bibliographical references and index

内容説明・目次

内容説明

In 1921, Sergei Prokofiev's Love for Three Oranges-one of the earliest, most famous examples of modernist opera-premiered in Chicago. Prokofiev's source was a 1913 theatrical divertissement by Vsevolod Meyerhold, who, in turn, took inspiration from Carlo Gozzi's 1761 commedia dell'arte-infused theatrical fairy tale. Only by examining these whimsical, provocative works together can we understand the full significance of their intertwined lineage. With contributions from 17 distinguished scholars in theater, art history, Italian, Slavic studies, and musicology, Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev illuminates the historical development of Modernism in the arts, the ways in which commedia dell'arte's self-referential and improvisatory elements have inspired theater and music innovations, and how polemical playfulness informs creation. A resource for scholars and theater lovers alike, this collection of essays, paired with new translations of Love for Three Oranges, charts the transformations and transpositions that this fantastical tale underwent to provoke theatrical revolutions that still reverberate today.

目次

Editorial Notes List of Definitions and Abbreviations List of Illustrations List of Musical Examples Preface: How Not to Die Laughing in a Lethal Time, by Caryl Emerson Acknowledgments Introduction, by Dassia N. Posner, Kevin Bartig, and Maria De Simone Part I: The Fiaba 1. Reflective Analysis of the Fairy Tale The Love of Three Oranges, by Carlo Gozzi , by Maria De Simone 2. The Love of Three Oranges, Venice 1761: A Theatrical Provocation, by Alberto Beniscelli 3. A Short Note on the First Sacchi Company , by Giulietta Bazoli 4. Gozzi's The Love of Three Oranges: A New Horizon of Expectations, by Domenico Pietropaolo 5. Carlo Gozzi's Reactionary Imagination, by Ted Emery 6. A Cultural Pastiche of Fantasy, Satire, and Citrus: Gozzi's The Love of Three Oranges in its German Afterlife, by Natalya Baldyga Part II: The Divertissement 7. Love for Three Oranges. A Divertissement in Twelve Scenes, a Prologue, an Epilogue, and Three Interludes, by Konstantin Vogak, Vsevolod Meyerhold, and Vladimir Soloviev, by Dassia N. Posner 8. Carlo Gozzi in The Journal of Doctor Dapertutto , by Raissa Raskina 9. Meyerhold and the Russian Commedia dell'Arte Myth , by Vadim Shcherbakov 10. The Miklashevsky Connection, by Laurence Senelick 11. From Divertissement to Opera: Two Russian Oranges, by Julia Galanina Part III: The Opera 12. Love for Three Oranges, by Sergei Prokofiev , by Kevin Bartig 13. Tsardom and Buttocks: From Empress Anna to Prokofiev's Fata Morgana, by Inna Naroditskaya 14. Notes on the Musical Parody in Prokofiev's Three Oranges , by Natalia Savkina 15. Notes on the Notes , by Simon A. Morrison 16. Boris Anisfeld, an Alchemist of Color , by John E. Bowlt 17. Oranges in Leningrad , by Kevin Bartig List of Contributors Index

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  • Russian music studies

    Simon A. Morrison and Peter Schmelz, editors

    EBSCO

    機械可読データファイル (リモートファイル)

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